Tag: animation

Categories
This Film Is 100 Years Old

Alice’s Day At Sea (1924) / Alice’s Spooky Adventure (1924) / Alice’s Wild West Show (1924)

The Alice Comedies were a series of short cartoon/live action hybrids, directed by Walt Disney in the mid to late 1920s. A total of 57 shorts were made between 1923 and 1927, and these three were the 2nd, 3rd and 4th releases in the series, all coming out in the first few months of 1924.

As in Alice’s Wonderland (see here), Alice repeatedly falls into a dream and has interactive animated adventures on a theme – she goes to the seaside in Alice’s Day At Sea and dreams of the living under the sea, gets trapped in a haunted house in Alice’s Spooky Adventure and dreams of ghosts, and then dresses up as a sheriff and murders some Indians in Alice’s Wild West Show. I assume that was the style at the time.

The only real change to the format in any of these is that a bunch of fairly stereotypical silent movie kids/street urchins/etc turn up in the real life segments of Alice’s Spooky Adventure and Alice’s Wild West Show, although luckily they don’t intrude on the dream sequences, as they’re all pretty tedious and superfluous, and much, much worse than any of the animals Alice is friends with.

Of these three films, Alice’s Spooky Adventure is by far the best (she even gets engaged to a cat), Alice’s Day At Sea is also pretty good (she gets driven around by a dog – see above – and also there’s an amazing octopus in it – see below) and Alice’s Wild West Show is by far the worst (it takes a whole 6 minutes to even get to any of the animated action, and then it’s mostly rubbish anyway).

___________

Notes

1. I watched these on youtube. There’s various different versions on there, all of varying quality, but these were the best ones I found: Alice’s Day At Sea; Alice’s Spooky Adventure; Alice’s Wild West Show.

2. There’s another 9 or so of these from 1924, but I’m not sure if I’ll be able to think of anything much more to say about them even if I do get around to watching them all.

3. Unless the cat turns up again

4. What an excellent cat to get engaged to

5. Also in Alice’s Day At Sea this guy pesters the dog awake

6. And I’m pretty sure he’s the clock from Don’t Hug Me I’m Scared‘s dad.

7. Man, clocks are terrifying, aren’t they?

_________

Film Information

Title: Alice’s Day At Sea
Director: Walt Disney
Year: 1924
Duration: 10 minutes
Watch: youtube

Title: Alice’s Spooky Adventure
Director: Walt Disney
Year: 1924
Duration: 9 minutes
Watch: youtube

Title: Alice’s Wild West Show
Director: Walt Disney
Year: 1924
Duration: 13 minutes
Watch: youtube

Categories
This Film Is 100 Years Old

John Bull’s Animated Sketchbooks (1915-1916) / A Prize Fight or Glove Fight between John Bull and President Kruger (1900)

John Bull’s Animated Sketchbook was an ongoing series of animated satire/propaganda from 1915 and 1916, in which postcard illustrator and political cartoonist Dudley Buxton utilised the “lightning sketch” technique (time lapse footage of him drawing his pictures) to deliver political commentary in the manner and quality of Brant.

Most of the sketches here are, unsurprisingly, wartime propaganda (“The British wage ware like this, but the Germans wage war like this!“), but there’s still time for one about Charlie Chaplin choking on a fly in his pint too for some reason.

(Pint not included in screenshot)

________

Notes

1. There were four of these and I watched them all on the BFI website (1, 2, 3, 4).

2. I came across these today because I searched the BFI free site for Charlie Chaplin and this was all that came up.

3. Although the first three of these episodes all appear to be animated by Dudley Buxton, the last one is illustrated by Anson Dyer.

4. Whose work I seemed to be surprisingly furious about in 2019.

5. Poor angry young me.

6. (He is shite though)

7. I mean, obviously most of the political satire is going to fall flat a century later, but if political commentary cartoons are the most “of their time” art form possible, they’re also consistently the worst too. And seemingly always have been/will be.

8. And while we’re on the topic of John Bull, “A Prize Fight or Glove Fight between John Bull and President Kruger” is a two-minute political sketch about the Boer War from 1900.

9. In which Britain and South Africa have a fist fight (and of course only Britain fights fairly).

10. No other way they could ever lose.

__________

Film Information: John Bull’s Animated Sketchbooks
Director: Dudley Buxton
Year: 1915-1916
Duration: 2 minutes to 10 minutes
Watch: Various episodes on the BFI Player: 1, 2, 3, 4

Film Information: A Prize Fight or Glove Fight between John Bull and President Kruger
Director: John Sloane Barnes
Year: 1900
Duration: 2 minutes
Watch: BFI Player

Categories
This Film Is 100 Years Old

Felix In The Swim (1922) / Felix Comes Back (1922)

Here we have two different 100year old Felix The Cat cartoons, both of which are directed by Margaret J. Winkler, who took over producing duties from Pat Sullivan and Paramount Pictures in 1922 and made over 60 Felix The Cat cartoons between then and 1925.

I’ve never quite worked out why Felix The Cat was so wildly popular for so long (it’s not that he’s necessarily bad, it’s just that he’s not that good), and Felix In The Swim (one of 17 Felix The Cat cartoons released in 1922 alone) doesn’t really do much to illuminate things, with some pretty charmless visuals, inert jokes and consistently bad comic timing (although the mice playing the piano are lovely).

Felix Comes Back, though, from later in the year, is much better, with better animation, funnier jokes, some inventive mild surrealism, and a penguin in the Arctic (where all the best cartoon penguins live).

So, if you’re going to watch one hundred year old Felix The Cat cartoon today, make it that one. Or maybe one of the other fifteen, who knows.

___________

Notes

1. I watched both of these on youtube. Felix In The Swim has added sound effects and music, which don’t actually add that much, while Felix Comex Back is nice and silent, just as nature intended.

2. I previously reviewed a couple of earlier Felix The Cat cartoons on here: Feline Follies (1919) and Frolics At The Circus (1920).

3. Oddly, the title of Felix Comes Back spoils the final joke (when Felix does indeed come back).

4. But maybe they were worried you’d think he was trapped in the Arctic forever otherwise.

5. And didn’t want anyone to become upset.

__________

Film Information

Title: Felix In The Swim
Director: Otto Messmer
Year: 1922
Duration: 7 minutes
Watch: youtube

Title: Felix Comes Back
Director: Otto Messmer
Year: 1922
Duration: 7 minutes
Watch: youtube

Categories
This Film Is More Than 100 Years Old

The Cameraman’s Revenge (1912)

The Cameraman’s Revenge is a Russian animation from 1912, directed by Ladislas Starevich, in which he uses stop motion animated dead insects to tell a slightly baffling tale of infidelity, voyeurism and revenge, for some reason.

Two beetles in a loveless marriage run off whenever they can to have affairs, one with an artist (another beetle), the other with a showgirl (a dragonfly), while the projectionist at the local cinema (he’s a grasshopper, I think) uses his camera to film the showgirl’s affair through the keyhole in the hotel door.

Then there’s just about enough time for some fist fights and confrontations and other odd convolutions of plot before we reach the end.

Anyway, and unsurprisingly, I liked this a lot. The animation’s great (although the picture quality is terrible, so obscures a lot of it), there’s some wonderful touches (especially when everyone goes to the cinema and their watching the scenes we’ve already seen projected onto their little cinema screen), and it’s surprisingly prescient in it’s prediction of mobile phone and hidden camera voyeurism, although the idea that the local cinema would be where you showed all this rather than on the grottier corners of the internet is quite wide of the mark.

_________

Notes

1. I watched this on youtube.

2. There’s probably other versions available.

3. And hopefully better quality ones somewhere (although I didn’t find any).

4. This is one of the problems of watching old films on the internet, all the general degradations of film over time combined with video conversion fuzziness and youtube compression artefacts until everything’s a complete visual mess.

5. Which is a shame, because I expect this looked incredible at the time.

_________

Film Information

Title: The Cameraman’s Revenge
Director: Ladislas Starevich
Year: 1912
Duration: 13 minutes
Watch: youtube

Categories
This Film Is 100 Years Old

Cinderella (1922) / The Secret Of The Marquise (1922)

Cinderella (or Aschenputtel) is a short film from 1922, directed and animated by Lotte Reiniger in her signature paper cut outs and shadow silhouette style. It’s beautiful.

An adaptation of the traditional Cinderella story (unsurprisingly, given the title), this includes almost everything you could want from such a thing: evil mothers, grotesque sisters, wonderful transformations, beautiful costumes, dancing, surprisingly horrific mutilations, and even an exploding step-mother.

(Also there’s a nice example of the perils of outdated old language usage changing the entire meaning of the piece, when poor old Cinderella isn’t allowed to the party because she’s a “slut”.)

Lots of early cartoons seem to start with a sequence showing the artist drawing a characters before they magically come alive, and this has a nice variation on that with a pair of magical scissors cutting blank lumps of paper into shape, which I liked a lot. And as ever with Lotte Reiniger’s work is the sheer expressive artistry of it all.

The Secret Of the Marquise is also from 1922, and it seems to be unique (as far as my inexpert knowledge of Lotte Reiniger’s career can tell) in that it’s been reversed/inverted, so that the cutouts are in white and the backgrounds in black, which gives it all a nice ethereal air. It’s only short (2 minutes or so), but it’s as charmingly animated as ever, and whhen I watched this I was assuming it was another one of Lotte Reiniger’s fairy tale adaptations, so the reveal of what the Marquise’s secret actual was was unexpectedly funny, like some long lost 1920s Reeves and Mortimer sketch.

________

Notes

1. I watched this on various BFI collections (Cinderella is on the Lotte Reiniger Fairy Tales collection DVD, and The Secret Of The Marquise is an extra on The Tales Of Prince Achmed blu-ray).

2. But they’re also on youtube, which is where, as usual, I grabbed the screenshots from. The Secret Of The Marquise is exactly the same as the disc version, while Cinderella has music on youtube, and also maybe a clearer picture).

3. I’ve reviewed a couple of Lotte Reiniger’s other films here before: Der Fliegende Koffer (1921) and Das Ornament des verliebten Herzens (1919).

4. I don’t know why I gave them the German titles and these the English ones but I did so there.

5. Also I liked both of those just as much as I liked these probably.

6. Lotte Reiniger also made a version of Sleeping Beauty in 1922, but I can’t find any versions of it anywhere so is presumably lost. Although it might just be that my cursory Tuesday afternoon searching skills are off.

7. She remade that, and also Cinderella, in the 1950s, but that’s a long way beyond the scope of this website.

8. (But it’s good I liked it).

__________

Film Information

Title: Cinderella
Director: Lotte Reiniger
Year: 1922
Duration: 12 minutes
Watch: youtube

Title: The Secret Of The Marquise
Director: Lotte Reiniger
Year: 1922
Duration: 2 minutes
Watch: youtube

Categories
This Film Is More Than 100 Years Old

The Haunted Hotel (1907) / Hôtel Électrique (1908)

The Haunted Hotel (which was directed by J. Stuart Blackton and released in 1907) and Hôtel Électrique (which was directed by Segundo de Chomón and released in 1908) are two variations on almost exactly the same theme (that theme being haunted hotels, where everything inside moves around in marvellous stop motion ways).

The Haunted Hotel mixes live action, stop motion (and pixilation) animation, as well as a bunch of other film trickery techniques, to create a series of short scenes where a weary traveller is haunted first by his dinner, then by a napkin, and finally by the entire room itself. It’s wonderful. Especially the end.

This is one of the oldest surviving stop motion films (some of the same director’s earlier attempts are among the many lost), but it’s not only remarkably technically adept, but pretty funny too (I laughed at least three times in six minutes, which is fairly good going I reckon).

The Haunted Hotel was so successful in Europe that apparently every film maker in France spent the next year trying to work out all of Blackton’s techniques (according to wikipedia, at least), which is presumably how Segundo de Chomón’s Hôtel Électrique came about.

Hôtel Électrique copies the basic template of the first film, but upgrades the setting from some dismal single room to a plush, posh French hotel, at the cutting edge of modernity. No expense is spared in providing the guests with the luxuries deserving of their class. Suitcases are unpacked, shoes are shined, hair is brushed, faces are shaved, all in perfect stop motion.

In this film, though, it’s not ghosts pestering people, but electric automation. What starts off as smoothly gliding suitcases and carefully swirling razor blades devolves into chaos when the inevitably of technological failure rears its head and everything turns to horror. The only thing to do is escape with your lives.

It would be another 80 years until Stanley Kubrick remade these two films as The Shining. Never once did he admit his inspiration.

____________

Notes

1. I watched both of these on youtube

2. The Haunted Hotel here

3. And Hotel Electrique here

4. The picture quality on both is disappointingly terrible

5. Which is a shame

6. I don’t know if there’s better quality versions available elsewhere

7. But I assume there must be, because the gif of the woman having her hair brushed in Hotel Electrique on wikipedia looks utterly marvellous

8. Although maybe that’s simply because it’s been squidged down to almost nothing

9. I watched an earlier J. Stuart Blackton cartoon previously on here

10. Although it was so awful I hid it in the comments rather than give it any prominence on the main part of the article.

11. But The Haunted Hotel is so excellent I have forgiven him now

__________

Film Information

Title: The Haunted Hotel
Director: J. Stuart Blackton
Year: 1907
Duration: 7 minutes
Watch: youtube

Title: Hôtel Électrique
Director: Segundo de Chomón
Year: 1908
Duration: 10 minutes
Watch: youtube

Categories
This Film Is 100 Years Old

Der Fliegende Koffer (1921)

Der Fliegende Koffer (The Flying Suitcase) is another lovely Lotte Reiniger papercut animation, telling the fairy tale story of a princess imprisoned by her father in a tower to prevent a prophesied curse, only for her imprisonment to be the cause of that curse (this is why time travel is bad).

Anyway, the moral of the story is never imprison your daughter in a tower.

__________

Notes

1. I watched this on Blu-ray (it’s an extra on the Adventures Of Prince Ahmed video).

2. But got the images from this version on youtube.

3. The disc version is music-less, if that makes any difference.

4. But I think I preferred it that way.

5. Another Lotte Reiniger film, Das Ornament des verliebten Herzens, was the very first thing I ever reviewed on here.

6. Which is nice.

7. I would have reviewed more if I could find any trace of the ones she’s supposed to have made in 1920

8. But I couldn’t, unfortunately.

__________

Film Information

Title: Der Fliegende Koffer/The Flying Coffer/The Flying Suitcase
Director: Lotte Reiniger
Year: 1921
Duration: 8 minutes
Watch: youtube

Categories
This Film Is More Than 100 Years Old

These Adverts Are More Than 100 Years Old (1898-1918)

This week I have been watching all the old adverts I could find.

Vinolia Soap (1898) / Good Night (1898)

These are two of the oldest British film adverts known to still exist, and both were made by Charles Goodwin Norton, who ran a stationary shop in King’s Cross, while also making his own films (as a hobby I think, rather than as a business).

The first of these is an advert for Vinolia Soap, which presumably doesn’t exist any more, but might well do for all I know, because I’m afraid I’m not an expert on soap.

The advert itself consists of some people packing the soap into boxes on a table, while round them troop a swarm of women holding the packages up to the camera, all of them trapped in a continuous loop of movement, unable to escape, even while the wind whips up the sheets of wrapping paper and swirls them all around in a vortex around their feet.

According to the internet, Vinolia Soap was the exclusive soap available to passengers on the Titanic, so maybe this wasn’t an advert at all, but instead some sort of unholy incantation, inscribing it with an infernal curse.

The second of these films, Good Night, isn’t anywhere near as ominous, and isn’t even really an advert. But it is quite charming, so I’m going to include it here anyway.

Outside Charles Goodwin Norton’s stationary shop, a group of children stare at the camera, while others hold up signs thanking the viewer for attending whatever one of his film screenings it was they’d just attended.

Although, now that I think about it, maybe this is the first ever post-credits short, and therefore entirely to blame for the abject horror that afflicts all superhero films to this very day, and so is actually even more of an accursed product than Vinolia Soap ever was.

Three Linotype Machines (1900)

Three Linotype Machines is a single minute-long shot of three linotype machines in operation.

There’s no title cards or other information to explain anything about the machines, so I couldn’t tell you if these are the sort of linotype machines I would be inclined to buy, but I’m not sure I mind, as I just find it hypnotic to watch them, and could do so for much long than a single minute at a time.

(This also reminded me of this short film of a printing press in action, that I posted about here before.)

The Spirit Of His Forefathers (1900) / Britain’s Best Bicycle (1902)

The Spirit Of His Forefathers is a 30 second advert for some whisky, based around a pun on spirit, and the punchline of which I have spoiled in the picture below.

I have no regrets.

Britain’s Best Bicycle is another 30 second advert, this time for Rudge-Whitworth Bicycles (later bought by Raleigh, it says there, making me wish I’d had a Rudge-Whitworth Chopper all those years ago now).

In this advert, a man rides a bike, which isn’t as good as Rudge-Whitworth bike. He gets laughed at for his crimes.

Now, these two adverts are more recognisable as adverts, really, to my modern eyes, than any of the earlier ones above (although technically the whisky one is earlier than any of them, as its a remake of a 1897 version of the same ad). And while the bike one is a bit rubbish, the whisky one you could pretty much imagine being an advert right now, although the kilt man would probably be one of the forefathers now, I suppose.

And it’d be for porage oats.

Ruining the pun forever.

J. White And Sons Ltd, The Furniture Specialists, Chesterfield (1905)

J. White And Sons Ltd… is a fifteen minute long advertorial tour of the J. White and Sons furniture shop in Chesterfield, in 1905, where we get to see the exterior of the shop from the High Street, the inside of the shop, the workshops, and more (especially concerning pianos).

It’s quite interesting (but probably not very exciting), and I liked the way that, even if furniture shops don’t make 15 minutes adverts for themselves any more, they at least still look basically the same inside. I bet everything even then was too expensive to ever buy, too.

Also, the street scenes at the start are particularly wonderful, not least because of the preponderance of hats, with even the children wearing flat caps.

Even the babies are wearing flat caps.

The Smallest Car In The Largest City In The World (1913)

The Smallest Car In The Largest City In The World, might not actually be an advert for a Cadillac (it purports to be a news item showing the miniature car being give as a gift to the King of Norway), but I’m pretty sure it’s an advert for a Cadillac.

This film is pretty wonderful, regardless of its actual designation, not just for its long sequences of the miniature car travelling through central London, huge crowds of excited wellwishers following behind, but also for the second half of the film, where somehow they get 3 children in the car, and also they get arrested, and then there’s a dog there too for some reason I don’t know why but it’s wonderful you should watch it

Shine, Sir? (1916)

Shine, Sir? is an almost supernaturally boring, 7 minute long advert for some Australian brand of shoe shine, patriotically called Kiwi, that was originally from 1916, but here comes with a strangely reverent introduction from someone in the far future year of 1965, marvelling at how advanced the advertising methods of first world war Britain were.

At the end, though, an animated kiwi vomits out the word KIWI a bunch of times, and suddenly the whole enterprise is redeemed.

__________

Notes

1. I watched all these on the BFI Player again

2. At the links in the information bit below.

3. I could probably have posted this all as several separate entries, rather than a single long one

4. But I did not

5. And now never shall.

6. I watched the furniture shop advert while listening to the Kicking A Couple Around EP by Smog

7. Which didn’t really fit very well at all, I must say.

8. But then I watched the littlest car in the world one while listening to 14 Floating Infinity by Aphex Twin

9. And it synced almost perfectly

10. To the first half at least

11. As it ran out before the end.

__________

Film Information

Title: Vinolia Soap
Director: Charles Goodwin Norton
Year: 1898
Duration: 1 minute
Watch: BFI Player

Title: Good Night
Director: Charles Goodwin Norton
Year: 1898
Duration: 1 minute
Watch: BFI Player

Title: Three Linotype Machines
Year: 1900
Duration: 1 minute
Watch: BFI Player

Title: The Spirit Of His Forefathers
Year: 1900
Duration: 1 minute
Watch: BFI Player

Title: Britain’s Best Bicycle
Year: 1902
Duration: 1 minute
Watch: BFI Player

Title: J. White And Sons Ltd, The Furniture Specialists, Chesterfield
Year: 1905
Duration: 14 minutes
Watch: BFI Player

Title: The Smallest Car In The Largest City In The World
Director: F.S. Bennett
Year: 1913
Duration: 6 minutes
Watch: BFI Player

Title: Shine, Sir?
Year: 1916, 1965
Duration: 7 minutes
Watch: BFI Player

Categories
This Film Is More Than 100 Years Old

The Wooden Athelete (1912)

The Wooden Athelete is a stop motion animation from 1912, depicting various acrobatic events in a small puppet circus, and I found this five-minute long cartoon, directed by Arthur Melbourne Cooper, almost entirely delightful.

Though the puppets are fairly simplistic, and the sets almost non-existent, there’s a real joy in every scene of this, and some pretty good jokes, too. I loved it.

__________

Notes

1. I watched this on the BFI player once again.

2. The whole thing is strangely risque, too, as the presence of clothing on some of the audience members at the beginning suggest this entire circus perform their routines 100% nude.

__________

Film Information

Title: The Wooden Athelete
Director: Arthur Melbourne Cooper
Year: 1912
Duration: 5 minutes
Watch: BFI player; youtube

Categories
This Film Is More Than 100 Years Old

The Acrobatic Fly (1910) / Birth Of A Flower (1910)

The Acrobatic Fly and Birth Of A Flower are two films released in 1910 by the brilliant nature film and stop-motion pioneer F. Percy Smith (whose incredible To Demonstrate How Spiders Fly I watched and reviewed previously).

The Acrobatic Fly was a part of an ongoing series of similarly themed short films, in which F. Percy Smith decided to use stop motion to make it look like insects were engaged in a series of pointless acrobatic displays.

I’m not entirely sure why, but I found this fairly disconcerting (presumably because of the use of real flies nailed to a pole).

I much preferred Birth Of A Flower. This film is a series of time lapse sequences, showing flowers opening up their petals into full bloom, and it’s really quite beautiful. Of course, watching it now, these sequences aren’t anything we haven’t seen before (although they’re still beautiful staged), but I expect a hundred and ten years ago footage like this would have been a pretty wonderful novelty.

Although maybe not as much of a commercial success as flies carrying dumbbells.
__________

Notes

1. I watched these both on youtube – The Acrobatic Fly here, and Birth Of A Flower here

2. That version of Birth Of A Flower is only an extract, but it’s been soundtracked by some Erik Satie music, so I preferred that version to the full version

3. Which can be viewed here

4. But which unfortunately has a fairly ugly watermark ruining it, unfortunately.

5. If you’d like to know more about F. Percy Smith, this Atlas Obscura article is pretty wonderful

6. And well worth your time.

7. This BFI article about Birth of A Flower is also interesting (but a lot shorter).
__________

Film Information

Title: The Acrobatic Fly
Director: F. Percy Smith
Year: 1910
Duration: 3 minutes
Watch: youtube

Title: Birth Of A Flower
Director: F. Percy Smith
Year: 1910
Duration: 7 minutes
Watch: youtube (extract only); youtube (full version)