Categories
This Film Is More Than 100 Years Old

The Flying Train (1902)

The Flying Train is two minutes of documentary footage from the newly opened elevated train system in Wuppertal, Germany, in 1902. It’s just breathtakingly beautiful, and weirdly, impossibly, futuristic, even though it’s 118 years old. And a train.

There’s always something soothing and alluring about watching old footage of city streets recorded from trains, trams and buses or whatever, presumably the lovely unhurried emptiness of the streets, with pedestrians allowed to amble wherever they please, but this footage, I think, might be my favourite ever from that particular genre.

There’s a nice comparison video here, showing this film and some footage filmed from the same track in 2015. You don’t get chickens wandering aimlessly around in the middle of the road in 2015, but apart from that it’s pleasingly similar. But there’s very little that’s soothing about it, due to the cloying claustrophobia of cars.

Also, I don’t know if they have trains like this everywhere in Germany (I’ve never been), but I first saw these in the background of one of the dance scenes in Wim Wenders’ documentary, Pina, a few years ago, and thought even then they looked like something from some unattainable future. I just didn’t know that future was 120 years old.

Who knew Metropolis was a documentary.

__________

Notes

1. I watched this on youtube here.

2. And I also watched the wonderful comparison video on youtube too.

3. And Although I didn’t watched Pina on youtube, I did find the clip I captured a still from above on there.

4. So hooray for youtube, I suppose.

5. There’s a nice article about The Flying Train film (and some others) here too: This 1902 Footage of a Flying Train Is the Film of the Summer.

__________

Film Information

Title: The Flying Train
Year: 1902
Watch: youtube
Further Information: This 1902 Footage of a Flying Train Is the Film of the Summer (article; Wuppertal Schwebebahn 1902 & 2015 side by side comparison video

Categories
This Film Is More Than 100 Years Old

These Adverts Are More Than 100 Years Old (1898-1918)

This week I have been watching all the old adverts I could find.

Vinolia Soap (1898) / Good Night (1898)

These are two of the oldest British film adverts known to still exist, and both were made by Charles Goodwin Norton, who ran a stationary shop in King’s Cross, while also making his own films (as a hobby I think, rather than as a business).

The first of these is an advert for Vinolia Soap, which presumably doesn’t exist any more, but might well do for all I know, because I’m afraid I’m not an expert on soap.

The advert itself consists of some people packing the soap into boxes on a table, while round them troop a swarm of women holding the packages up to the camera, all of them trapped in a continuous loop of movement, unable to escape, even while the wind whips up the sheets of wrapping paper and swirls them all around in a vortex around their feet.

According to the internet, Vinolia Soap was the exclusive soap available to passengers on the Titanic, so maybe this wasn’t an advert at all, but instead some sort of unholy incantation, inscribing it with an infernal curse.

The second of these films, Good Night, isn’t anywhere near as ominous, and isn’t even really an advert. But it is quite charming, so I’m going to include it here anyway.

Outside Charles Goodwin Norton’s stationary shop, a group of children stare at the camera, while others hold up signs thanking the viewer for attending whatever one of his film screenings it was they’d just attended.

Although, now that I think about it, maybe this is the first ever post-credits short, and therefore entirely to blame for the abject horror that afflicts all superhero films to this very day, and so is actually even more of an accursed product than Vinolia Soap ever was.

Three Linotype Machines (1900)

Three Linotype Machines is a single minute-long shot of three linotype machines in operation.

There’s no title cards or other information to explain anything about the machines, so I couldn’t tell you if these are the sort of linotype machines I would be inclined to buy, but I’m not sure I mind, as I just find it hypnotic to watch them, and could do so for much long than a single minute at a time.

(This also reminded me of this short film of a printing press in action, that I posted about here before.)

The Spirit Of His Forefathers (1900) / Britain’s Best Bicycle (1902)

The Spirit Of His Forefathers is a 30 second advert for some whisky, based around a pun on spirit, and the punchline of which I have spoiled in the picture below.

I have no regrets.

Britain’s Best Bicycle is another 30 second advert, this time for Rudge-Whitworth Bicycles (later bought by Raleigh, it says there, making me wish I’d had a Rudge-Whitworth Chopper all those years ago now).

In this advert, a man rides a bike, which isn’t as good as Rudge-Whitworth bike. He gets laughed at for his crimes.

Now, these two adverts are more recognisable as adverts, really, to my modern eyes, than any of the earlier ones above (although technically the whisky one is earlier than any of them, as its a remake of a 1897 version of the same ad). And while the bike one is a bit rubbish, the whisky one you could pretty much imagine being an advert right now, although the kilt man would probably be one of the forefathers now, I suppose.

And it’d be for porage oats.

Ruining the pun forever.

J. White And Sons Ltd, The Furniture Specialists, Chesterfield (1905)

J. White And Sons Ltd… is a fifteen minute long advertorial tour of the J. White and Sons furniture shop in Chesterfield, in 1905, where we get to see the exterior of the shop from the High Street, the inside of the shop, the workshops, and more (especially concerning pianos).

It’s quite interesting (but probably not very exciting), and I liked the way that, even if furniture shops don’t make 15 minutes adverts for themselves any more, they at least still look basically the same inside. I bet everything even then was too expensive to ever buy, too.

Also, the street scenes at the start are particularly wonderful, not least because of the preponderance of hats, with even the children wearing flat caps.

Even the babies are wearing flat caps.

The Smallest Car In The Largest City In The World (1913)

The Smallest Car In The Largest City In The World, might not actually be an advert for a Cadillac (it purports to be a news item showing the miniature car being give as a gift to the King of Norway), but I’m pretty sure it’s an advert for a Cadillac.

This film is pretty wonderful, regardless of its actual designation, not just for its long sequences of the miniature car travelling through central London, huge crowds of excited wellwishers following behind, but also for the second half of the film, where somehow they get 3 children in the car, and also they get arrested, and then there’s a dog there too for some reason I don’t know why but it’s wonderful you should watch it

Shine, Sir? (1916)

Shine, Sir? is an almost supernaturally boring, 7 minute long advert for some Australian brand of shoe shine, patriotically called Kiwi, that was originally from 1916, but here comes with a strangely reverent introduction from someone in the far future year of 1965, marvelling at how advanced the advertising methods of first world war Britain were.

At the end, though, an animated kiwi vomits out the word KIWI a bunch of times, and suddenly the whole enterprise is redeemed.

__________

Notes

1. I watched all these on the BFI Player again

2. At the links in the information bit below.

3. I could probably have posted this all as several separate entries, rather than a single long one

4. But I did not

5. And now never shall.

6. I watched the furniture shop advert while listening to the Kicking A Couple Around EP by Smog

7. Which didn’t really fit very well at all, I must say.

8. But then I watched the littlest car in the world one while listening to 14 Floating Infinity by Aphex Twin

9. And it synced almost perfectly

10. To the first half at least

11. As it ran out before the end.

__________

Film Information

Title: Vinolia Soap
Director: Charles Goodwin Norton
Year: 1898
Duration: 1 minute
Watch: BFI Player

Title: Good Night
Director: Charles Goodwin Norton
Year: 1898
Duration: 1 minute
Watch: BFI Player

Title: Three Linotype Machines
Year: 1900
Duration: 1 minute
Watch: BFI Player

Title: The Spirit Of His Forefathers
Year: 1900
Duration: 1 minute
Watch: BFI Player

Title: Britain’s Best Bicycle
Year: 1902
Duration: 1 minute
Watch: BFI Player

Title: J. White And Sons Ltd, The Furniture Specialists, Chesterfield
Year: 1905
Duration: 14 minutes
Watch: BFI Player

Title: The Smallest Car In The Largest City In The World
Director: F.S. Bennett
Year: 1913
Duration: 6 minutes
Watch: BFI Player

Title: Shine, Sir?
Year: 1916, 1965
Duration: 7 minutes
Watch: BFI Player

Categories
This Film Is More Than 100 Years Old

Le Voyage Dans La Lune (1902) / Mister Moon (1901)

Le Voyage Dans La Lune (or, A Trip To The Moon), directed by Georges Melies in 1902, is perhaps the most well-known of all early films, especially the image of the moon with a spaceship in its eye.

I’ve always quite liked the way that the conventions, limitations and constraints of early film-making led to a similarity in style and appearance to early computer games (especially adventure games), which were the result of a very different set of technical problems, but which utilised very similar solutions.

So here you get static single screen sets with lavishly painted backgrounds, through which the characters move one scene at a time (such as the two images immediately below).

Partly this would have been due to the limitations/difficulties of the filming process itself (movement juddering, smooth camera control, re-focusing, etc), partly for stylistic reasons (the recreation of a theatre-style viewpoint) and also because of the cost, size and other logistical problems in the making, building and staging of sets.

These are evoked, in a way, by the static pre-rendered screens of something like Dizzy or Monkey Island, which allowed for a much higher graphical detail at the expense of screen movement/scrolling, the number of moving characters/enemies, and so on.

The more obvious lineage, of course, is that of Le Voyage Dans La Lune’s imagery being referenced and replicated in the 120 years since in everything from subsequent HG Wells and Jules Verne adaptations, to Tintin and Flash Gordon (the crashed spaceship and the hopping Selenite are very similar to the initial landing scene and the strange green monster that gets incinerated a bit later in the 1980s version), right the way up to The Smashing Pumpkins (I’ve often wondered if that video was the creation-myth of steampunk).

When they return to Earth, the scene where they crash into the sea is very similar to the corresponding scene in The Automatic Motorist, even down to the newts swimming about.

(I’d noticed the more obvious homages to this in The “?” Motorist and The Automatic Motorist when I watched them, but had missed this one)

I also watched Mister Moon, a 1 minute promotional video for the musical hall star Percy Henri’s comedy act, filmed in 1901, and which also features a terrifying human-faced moon (and nothing else at all, in this case).

Unsurprisingly, I found this utterly terrifying.

__________

Notes

1. I watched both of these on the BFI player again – Le Voyage Dans La Lune; Mister Moon.

2. The crashed spaceship image from A Trip To The Moon is one I’ve, erm, well, stolen repeatedly over the years, although I’ve not yet resorted to moons with faces, thankfully.

3. I didn’t realise the BFI player was region locked to the UK, so I’ll try to add alternate links to things I’ve watched from now on

4. If I can

5. Although you might well have been glad of the chance to not see the full horror of Mister Moon, to be honest.

__________

Film Information

Title: Le Voyage Dans La Lune
Director: Georges Melies
Year: 1902
Duration: 12 minutes
Watch: BFI; youtube

Title: Mister Moon
Director: Percy Honri
Year: 1901
Duration: 1 minute
Watch: BFI; youtube