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This Film Is More Than 100 Years Old

The Haunted House (1921)

In The Haunted House, Buster Keaton gets framed for a crime he didn’t commit and so must go and clear his name. In a haunted house.

This one starts slowly, with the first ten minutes mostly being devoted to Buster Keaton being covered in glue.. So it’s not until the action switches to the haunted house of the title that things really get going.

The haunted house is actually just some bank robbers den, which they’ve rigged up as a terrifying haunted house to foil any would be spies/intruders/the police/etc. It’s probably the most convoluted elaborate plan to cover up a crime I’ve seen in a film (or at least since I watched Vertigo recently).

From here until the end, The Haunted House is utterly brilliant in almost every way, and I loved it. Ghosts, skeletons, haunted armchairs, staircases turning into a slide, Buster Keaton looking absolutely furious occasionally, a finale set in heaven and hell. It’s got basically everything you could want from a film.

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Notes

1. I watched this on blu-ray again, and gathered the screenshots form this version on youtube.

2. I genuinely wasn’t expecting just how funny the second half of this would be.

3. Which was nice.

4. I think the first half had set my expectations quite low.

5. Especially as the elongated glue scene played like some sort of extended anxiety nightmare.

6. Or at least did for me.

7. Obviously I suffer from some sort of repressed glue fear.

8. And also money and bank fear, perhaps.

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Film Information

Title: The Haunted House
Directors: Buster Keaton and Edward F. Cline
Year: 1921
Runtime: 22 minutes
Watch: youtube

Categories
This Film Is More Than 100 Years Old

Neighbors (1920)

In Neighbors, Buster Keaton wants to get married, but his trousers keep falling down.

This doesn’t really have a plot at all (Buster wants to marry the girl next door) but instead it’s almost non-stop slapstick action for the full 20 minutes (with a slight interlude for a madcap courtroom scene and a ramshackle wedding).

And also like I said, Buster’s trousers keep falling down.

The final sequence in this, where they’re running around stacked up on each others shoulders for no reason at all, is strangely absurd and kind of wonderful.

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Notes

1. I watched this on blu-ray again, but took the screenshots from this youtube version.

2. I quite liked this one but there’s a few two many blackface jokes for me to be completely comfortable recommending it.

3. By which I mean there’s blackface jokes.

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Film Information

Title: Neighbors
Directors: Buster Keaton and Edward F. Cline
Year: 1920
Duration: 18 minutes
Watch: youtube

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This Film Is More Than 100 Years Old

The Scarecrow (1920)

In The Scarecrow, Buster Keaton gets to play around with Luke the Dog one last time. Which is nice.

After the relative disappointment of Convict 13, The Scarecrow is a pretty triumphant return to form. The plot as it is involves Buster and Joe Roberts wooing the farmer’s daughter, which culminates in a high speed wedding on the back of a motorbike, which is exciting enough, but the lead up to that is also probably the most consistently funny Buster Keaton film I’ve seen, with almost constant invention and boatloads of charm in just about every single scene.

There’s even some piglets. I like piglets.

So yeah this one’s great. Hooray.

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Notes

1. I watched this on blu-ray, but grabbed the screenshots from this version on youtube

2. This was the first Buster Keaton film I ever saw.

3. And I loved it just as much now as I did then.

4. Two whole years ago.

5. What I noticed this time (that I had no scope of reference to notice last time), is how easily this one could have been another Fatty Arbuckle Buster Keaton double bill.

6. With Joe Roberts here in the Fatty Arbuckle role.

7. There’s the big man/small man dynamic, the chasing after a girl, Luke the Dog, everything.

8. Joe Roberts even does the coy, fluttering eyelids, thing when he sees Sybil Seely for the first time.

9. Although if this was still a Fatty Arbuckle production it’d have been him getting married at the end I suppose.

10. And also there’d probably have been at least one seen where he does something sort of stomach churningly crass, I suppose.

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Film Information

Title: The Scarecrow
Directors: Buster Keaton and Edward F. Cline
Year: 1920
Duration: 20 minutes
Watch: youtube

Categories
This Film Is More Than 100 Years Old

Convict 13 (1920)

In Convict 13, Buster Keaton takes up golf. He is sentenced to death for his crimes.

After the last two Buster Keaton films both being miniature masterpieces, this was bound to be a bit disappointing really, and so it (unfortunately) transpired. There’s very little in the way of his usual visual inventiveness here, a lot of the jokes seem to fall flat, and most of the scenes seem to drag on way too long. (It also probably doesn’t help that this was one of the poorest restorations so far).

And though it’s not anywhere near as much of an entirely misconceived abomination as Good Night, Nurse! (shudder), at least that never considered something as horrifying as golf to be a suitable topic for comedy.

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Notes

1. I watched this on blu-ray. The stills were taken from this version on youtube.

2. So yeah I didn’t like this one much. Sorry about that.

3. Also talking of Good Night, Nurse!, this also repeats its “it was all a dream!” ending.

4. Possibly in some sort of attempt at denying all responsibility for what has gone before.

5. Anyway at least it had a dog in it.

6. For ten seconds

7. Or possibly less.

8. The last section of Convict 13, where they have a big fight in the prison, is definitely the best section, though, and probably worth watching if you skip the first ten minutes or so.

9. And I certainly wasn’t expecting Buster Keaton to turn into one of those prison guards from Zelda who swing those big balls and chains around.

10. If only one of the convicts had had a boomerang with them maybe everything would have turned out okay.

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Film Information

Title: Convict 13
Directors: Buster Keaton; Edward F. Cline
Year: 1920
Runtime: 22 minutes
Watch: youtube

Categories
This Film Is More Than 100 Years Old

One Week (1920)

One Week is a twenty minute silent comedy, directed by, written by, and starring Buster Keaton, where him and his wife received a flat pack home and a plot of land as a wedding gift. I have no idea how realistic a scenario this was in 1920, but these days it’s basically science fiction, isn’t it?

This was the first actual film Buster Keaton released as the lead star (but the second made, after The ‘High Sign’), and it’s pretty much incredible from start to finish. Buster’s love of absurdly elaborate houses with trapdoors and pulleys and levers everywhere continues on from The ‘High Sign’ unabated, while some of his old favourite jokes from the Fatty Arbuckle films are brought back but done so well you don’t mind at all.

And the scale of the last couple of set-pieces is impressive even now, so god knows how mind blowing they were in 1920.

Pretty mind blowing, probably.

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Notes

1. I watched this on blu-ray again, but grabbe dthe screenshots from this version on youtube

2. I actually watched this back in 2020.

3. Actually doing my duty and watching things that were 100 years old.

4. Instead of 102 years old.

5. Or more.

6. Anyway I’m not sure why that review was so subdued.

7. Maybe something terrible had happened in 2020 I cannot remember.

8. But at least now everything is okay it’s alright everything is fine.

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Film Information

Title: One Week
Director: Buster Keaton; Edward F. Cline
Year: 1920
Duration: 22 minutes
Watch: youtube

Categories
This Film Is More Than 100 Years Old

The ‘High Sign’ (1920)

The ‘High Sign’ is a short Buster Keaton comedy, made in 1920 but not released until 1921, in which Buster inadvertently gets tasked with both saving the town’s richest man from being assassinated by a gang of criminals, while also being employed by that very same gang to assassinate him.

This was the first film Buster Keaton made without Fatty Arbuckle, although it wasn’t released initially because Buster Keaton was disappointed with it, saying it was too similar to his Fatty Arbuckle collaborations. So they cancelled it and released One Week instead. And then another five films after that, too, before they finally got around to showing this one anywhere.

(In the end The ‘High Sign’ only got released at all because Buster Keaton broke his ankle filming The Electric House in 1921 and couldn’t work for 4 months, and 4 months without releasing a film was impossible to contemplate in the 1920s, evidently, just in case everyone forgot you existed if there was any break in your release schedule. Presumably cinema goers back then were even more unforgiving of release schedule slackness than youtube’s algorithms are today.)

The weirdest thing about all that is that this is absolutely brilliant in pretty much every way. Buster’s at his most effortlessly charming; there’s loads of funny sight gags; there’s a dog, a cat, and a fairground; a woman playing a ukulele for no reason other than she looks like she’s having loads of fun playing a ukulele; some funny intertitle captions; and, best of all, there’s plenty of ingenious elaborate contraptions, culminating in a house full of trapdoors and secret passages for the inevitable ever escalating chase scene finale.

Also all of it happens without Fatty Arbuckle being absolutely repellent for 25% of the runtime. Which is nice.

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Notes

1. I watched this on blu-ray, where it looked very nice indeed, and also had a good soundtrack.

2. I captured the screenshots from this version on youtube, which doesn’t look anywhere near as nice, and also has a much worse soundtrack.

3. Which is a shame.

4. Sorry.

5. There’s a dog in this but it’s not Luke the Dog.

6. And also there’s the world’s most distressed looking cat.

7. Poor thing.

8. If I could go back in time I would go back to Hollywood in 1920 and save it from it’s day of terror.

9. But I can’t so I haven’t

10. Yet

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Film Information

Title: The ‘High Sign’
Directors: Buster Keaton, Edward F. Cline
Year: 1920
Runtime: 20 minutes
Watch: Youtube

Categories
This Christmas Is 100 Years Old

The Little Match Seller (1902) / The Little Match Girl (1914)

Hans Christian Andersen’s The Little Match Girl is probably the saddest story ever written, and these two adaptations of it are suitably bleak.

The Little Match Seller, directed in 1902 by Percy Nash, is a masterpiece of minimalism. A single static shot of a young homeless girl in the snow, it makes great use of overlays/double exposures as she dreams of some heat and warmth and maybe even a smidgen of Christmas cheer. But of course there is none to be found.

It’s less than four minutes long, and utterly heartbreaking.

The second version, this time called The Little Match Girl, was directed by James Williamson in 1914. This one is a more elaborate affair, and piles on even more misery by including an alcoholic father and an absent, possibly dead, mother.

There’s some nice use of tinting here, which gives a fairly brutal sense of cold and genuine warmth to the relevant scenes, and the staging of the dreams is well done (although the animated turkey is both slightly strange and strangely unsettling). But though I liked it a lot, overall it lacks something compared to the economical poetry of the earlier version.

Merry Christmas, everyone.

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Notes

1. I watched the 1902 version on youtube.

2. And the 1914 version on the BFI Player.

3. And you can read the original story here.

4. If you dare.

5. The 1914 version has Dutch intertitles. I’ve made some rough translations below (using google translate rather than any actual understanding of the language, so they might be wildly out):


2. On Christmas Eve
3. "Not a single bunch sold so far."
4. "Daddy will hit me."
5. Her father's daily abode.
6. If only she had her mother again.
7. "Did you bring me a lot of money?"
8. "Get out! And don't you dare come back without some money!"
9. "Would you like some matches, Sir?"
10. Barefoot
12. "Let me light just one match to keep me warm."
13. What she dreamed as she lit the second match.
14. "Just one more, because it's so terribly cold!"
15. "Take me with you, Mother. Don't leave me again!"
16. Christmas Morning - rest now, forever.

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Film Information

Title: The Little Match Seller
Director: James Williamson
Year: 1902
Duration: 3 minutes
Watch: youtube

Title: The Little Match Girl
Director: Percy Nash
Year: 1914
Duration: 10 minutes
Watch: BFI Player; youtube

Categories
This Film Is More Than 100 Years Old

The Garage (1920)

In The Garage, Fatty Arbuckle and Buster Keaton play car mechanics (who are also firemen). A fairly large proportion of the plot of this film involves everyone getting covered in engine oil.

This starts with Fatty Arbuckle re-doing the window cleaning joke from The Bell Boy (although his version isn’t anywhere near as good as Buster Keaton’s), but after that it’s all new stuff (well, mostly all new stuff). There’s some good scenes on a big turntable, Buster Keaton gets his trousers ripped off by Luke the Dog, and at the end everyone gets in a car and drives away into the sunset.

(Forever)
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Notes

1. I watched this on blu-ray again. The screenshots are taken from this copy on youtube.

2. The Garage was the very last film Fatty Arbuckle and Buster Keaton made together.

3. So from now on it’s Buster Keaton only for me.

4. I’ll miss you, Fatty.

5. A bit.

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Film Information

Title: The Garage
Director: Fatty Arbuckle
Year: 1920
Duration: 21 minutes
Watch:

Categories
This Film Is 100 Years Old

The Hayseed (1919)

In The Hayseed, Fatty Arbuckle plays a postman who woos a local girl, who is also being pursued by the corrupt local Sheriff. To spoil the plot somewhat, Fatty prevails.

This was another fairly slight Fatty Arbuckle short, in that there’s not much here that’s especially inventive or funny. But what it does have is a kind of charming sweetness that you definitely don’t usually get with Fatty Arbuckle at all.

Also there’s plenty of Luke the Dog, and Buster Keaton does some magic tricks, which he’s, unsurprisingly brilliant, like he is at literally everything else he ever did.

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Notes

1. I watched this on blu-ray agai. Stills taken from here, which isn’t the best quality copy, I’m afraid.

2. It’s hard to see on that youtube version, but I also very much liked the sign on the side of the shop that says “There’s no end to our pretzels.”

3. Which is a pretty good joke.

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Film Information

Title: The Hayseed
Director: Fatty Arbuckle
Year: 1919
Duration: 21 minutes
Watch: youtube

Categories
This Film Is More Than 100 Years Old

Back Stage (1919)

In Back Stage, Fatty Arbuckle and Buster Keaton play the stage hands at a theatre. After spending the first half of the film meeting (and alienating) the various performers, they end up having to put on the show themselves, with fairly predictably disastrous results.

Most of these Fatty Arbuckle/Buster Keaton films seem to oscillate between either being wildly terrible or wildly brilliant, but this one sits somewhere in the middle, really. There’s lots of good sight gags, quite a bit of dancing, and a fairly long fight at the end, but it never hits the highs of their best stuff, unfortunately, while neverbeing egregiously terrible either.

It’s perfectly fine but you wouldn’t exactly miss it if you’d never seen it.

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Notes

1. I watched this on blu-ray again. The screenshots here are from this youtube version (which is also the same version that’s on the disc).

2. This features an early version (perhaps the first version) of the famous house wall falling down stunt, though, as also seen in One Week and (most famously) Steamboat Bill Jr.

3. Although as that’s from 1928 it’s beyond the scope of this website for a good few years still.

4. Keeping up the theme of my notes on the One Week review there, I am still seeing instances of this gag backwards through time.

5. I hope there is a 19th century version of it somewhere lurking around for me to find.

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Film Information

Title: Back Stage
Director: Fatty Arbuckle
Year: 1919
Duration: 21 minutes
Watch: youtube