Category: This Film Is More Than 100 Years Old

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This Film Is More Than 100 Years Old

Neighbors (1920)

In Neighbors, Buster Keaton wants to get married, but his trousers keep falling down.

This doesn’t really have a plot at all (Buster wants to marry the girl next door) but instead it’s almost non-stop slapstick action for the full 20 minutes (with a slight interlude for a madcap courtroom scene and a ramshackle wedding).

And also like I said, Buster’s trousers keep falling down.

The final sequence in this, where they’re running around stacked up on each others shoulders for no reason at all, is strangely absurd and kind of wonderful.

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Notes

1. I watched this on blu-ray again, but took the screenshots from this youtube version.

2. I quite liked this one but there’s a few two many blackface jokes for me to be completely comfortable recommending it.

3. By which I mean there’s blackface jokes.

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Film Information

Title: Neighbors
Directors: Buster Keaton and Edward F. Cline
Year: 1920
Duration: 18 minutes
Watch: youtube

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This Film Is More Than 100 Years Old

The Scarecrow (1920)

In The Scarecrow, Buster Keaton gets to play around with Luke the Dog one last time. Which is nice.

After the relative disappointment of Convict 13, The Scarecrow is a pretty triumphant return to form. The plot as it is involves Buster and Joe Roberts wooing the farmer’s daughter, which culminates in a high speed wedding on the back of a motorbike, which is exciting enough, but the lead up to that is also probably the most consistently funny Buster Keaton film I’ve seen, with almost constant invention and boatloads of charm in just about every single scene.

There’s even some piglets. I like piglets.

So yeah this one’s great. Hooray.

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Notes

1. I watched this on blu-ray, but grabbed the screenshots from this version on youtube

2. This was the first Buster Keaton film I ever saw.

3. And I loved it just as much now as I did then.

4. Two whole years ago.

5. What I noticed this time (that I had no scope of reference to notice last time), is how easily this one could have been another Fatty Arbuckle Buster Keaton double bill.

6. With Joe Roberts here in the Fatty Arbuckle role.

7. There’s the big man/small man dynamic, the chasing after a girl, Luke the Dog, everything.

8. Joe Roberts even does the coy, fluttering eyelids, thing when he sees Sybil Seely for the first time.

9. Although if this was still a Fatty Arbuckle production it’d have been him getting married at the end I suppose.

10. And also there’d probably have been at least one seen where he does something sort of stomach churningly crass, I suppose.

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Film Information

Title: The Scarecrow
Directors: Buster Keaton and Edward F. Cline
Year: 1920
Duration: 20 minutes
Watch: youtube

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This Film Is More Than 100 Years Old

Convict 13 (1920)

In Convict 13, Buster Keaton takes up golf. He is sentenced to death for his crimes.

After the last two Buster Keaton films both being miniature masterpieces, this was bound to be a bit disappointing really, and so it (unfortunately) transpired. There’s very little in the way of his usual visual inventiveness here, a lot of the jokes seem to fall flat, and most of the scenes seem to drag on way too long. (It also probably doesn’t help that this was one of the poorest restorations so far).

And though it’s not anywhere near as much of an entirely misconceived abomination as Good Night, Nurse! (shudder), at least that never considered something as horrifying as golf to be a suitable topic for comedy.

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Notes

1. I watched this on blu-ray. The stills were taken from this version on youtube.

2. So yeah I didn’t like this one much. Sorry about that.

3. Also talking of Good Night, Nurse!, this also repeats its “it was all a dream!” ending.

4. Possibly in some sort of attempt at denying all responsibility for what has gone before.

5. Anyway at least it had a dog in it.

6. For ten seconds

7. Or possibly less.

8. The last section of Convict 13, where they have a big fight in the prison, is definitely the best section, though, and probably worth watching if you skip the first ten minutes or so.

9. And I certainly wasn’t expecting Buster Keaton to turn into one of those prison guards from Zelda who swing those big balls and chains around.

10. If only one of the convicts had had a boomerang with them maybe everything would have turned out okay.

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Film Information

Title: Convict 13
Directors: Buster Keaton; Edward F. Cline
Year: 1920
Runtime: 22 minutes
Watch: youtube

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This Film Is More Than 100 Years Old

One Week (1920)

One Week is a twenty minute silent comedy, directed by, written by, and starring Buster Keaton, where him and his wife received a flat pack home and a plot of land as a wedding gift. I have no idea how realistic a scenario this was in 1920, but these days it’s basically science fiction, isn’t it?

This was the first actual film Buster Keaton released as the lead star (but the second made, after The ‘High Sign’), and it’s pretty much incredible from start to finish. Buster’s love of absurdly elaborate houses with trapdoors and pulleys and levers everywhere continues on from The ‘High Sign’ unabated, while some of his old favourite jokes from the Fatty Arbuckle films are brought back but done so well you don’t mind at all.

And the scale of the last couple of set-pieces is impressive even now, so god knows how mind blowing they were in 1920.

Pretty mind blowing, probably.

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Notes

1. I watched this on blu-ray again, but grabbe dthe screenshots from this version on youtube

2. I actually watched this back in 2020.

3. Actually doing my duty and watching things that were 100 years old.

4. Instead of 102 years old.

5. Or more.

6. Anyway I’m not sure why that review was so subdued.

7. Maybe something terrible had happened in 2020 I cannot remember.

8. But at least now everything is okay it’s alright everything is fine.

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Film Information

Title: One Week
Director: Buster Keaton; Edward F. Cline
Year: 1920
Duration: 22 minutes
Watch: youtube

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This Film Is More Than 100 Years Old

The ‘High Sign’ (1920)

The ‘High Sign’ is a short Buster Keaton comedy, made in 1920 but not released until 1921, in which Buster inadvertently gets tasked with both saving the town’s richest man from being assassinated by a gang of criminals, while also being employed by that very same gang to assassinate him.

This was the first film Buster Keaton made without Fatty Arbuckle, although it wasn’t released initially because Buster Keaton was disappointed with it, saying it was too similar to his Fatty Arbuckle collaborations. So they cancelled it and released One Week instead. And then another five films after that, too, before they finally got around to showing this one anywhere.

(In the end The ‘High Sign’ only got released at all because Buster Keaton broke his ankle filming The Electric House in 1921 and couldn’t work for 4 months, and 4 months without releasing a film was impossible to contemplate in the 1920s, evidently, just in case everyone forgot you existed if there was any break in your release schedule. Presumably cinema goers back then were even more unforgiving of release schedule slackness than youtube’s algorithms are today.)

The weirdest thing about all that is that this is absolutely brilliant in pretty much every way. Buster’s at his most effortlessly charming; there’s loads of funny sight gags; there’s a dog, a cat, and a fairground; a woman playing a ukulele for no reason other than she looks like she’s having loads of fun playing a ukulele; some funny intertitle captions; and, best of all, there’s plenty of ingenious elaborate contraptions, culminating in a house full of trapdoors and secret passages for the inevitable ever escalating chase scene finale.

Also all of it happens without Fatty Arbuckle being absolutely repellent for 25% of the runtime. Which is nice.

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Notes

1. I watched this on blu-ray, where it looked very nice indeed, and also had a good soundtrack.

2. I captured the screenshots from this version on youtube, which doesn’t look anywhere near as nice, and also has a much worse soundtrack.

3. Which is a shame.

4. Sorry.

5. There’s a dog in this but it’s not Luke the Dog.

6. And also there’s the world’s most distressed looking cat.

7. Poor thing.

8. If I could go back in time I would go back to Hollywood in 1920 and save it from it’s day of terror.

9. But I can’t so I haven’t

10. Yet

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Film Information

Title: The ‘High Sign’
Directors: Buster Keaton, Edward F. Cline
Year: 1920
Runtime: 20 minutes
Watch: Youtube

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This Film Is More Than 100 Years Old

The Garage (1920)

In The Garage, Fatty Arbuckle and Buster Keaton play car mechanics (who are also firemen). A fairly large proportion of the plot of this film involves everyone getting covered in engine oil.

This starts with Fatty Arbuckle re-doing the window cleaning joke from The Bell Boy (although his version isn’t anywhere near as good as Buster Keaton’s), but after that it’s all new stuff (well, mostly all new stuff). There’s some good scenes on a big turntable, Buster Keaton gets his trousers ripped off by Luke the Dog, and at the end everyone gets in a car and drives away into the sunset.

(Forever)
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Notes

1. I watched this on blu-ray again. The screenshots are taken from this copy on youtube.

2. The Garage was the very last film Fatty Arbuckle and Buster Keaton made together.

3. So from now on it’s Buster Keaton only for me.

4. I’ll miss you, Fatty.

5. A bit.

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Film Information

Title: The Garage
Director: Fatty Arbuckle
Year: 1920
Duration: 21 minutes
Watch:

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This Film Is More Than 100 Years Old

Back Stage (1919)

In Back Stage, Fatty Arbuckle and Buster Keaton play the stage hands at a theatre. After spending the first half of the film meeting (and alienating) the various performers, they end up having to put on the show themselves, with fairly predictably disastrous results.

Most of these Fatty Arbuckle/Buster Keaton films seem to oscillate between either being wildly terrible or wildly brilliant, but this one sits somewhere in the middle, really. There’s lots of good sight gags, quite a bit of dancing, and a fairly long fight at the end, but it never hits the highs of their best stuff, unfortunately, while neverbeing egregiously terrible either.

It’s perfectly fine but you wouldn’t exactly miss it if you’d never seen it.

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Notes

1. I watched this on blu-ray again. The screenshots here are from this youtube version (which is also the same version that’s on the disc).

2. This features an early version (perhaps the first version) of the famous house wall falling down stunt, though, as also seen in One Week and (most famously) Steamboat Bill Jr.

3. Although as that’s from 1928 it’s beyond the scope of this website for a good few years still.

4. Keeping up the theme of my notes on the One Week review there, I am still seeing instances of this gag backwards through time.

5. I hope there is a 19th century version of it somewhere lurking around for me to find.

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Film Information

Title: Back Stage
Director: Fatty Arbuckle
Year: 1919
Duration: 21 minutes
Watch: youtube

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This Film Is More Than 100 Years Old

The Cook (1918)

After the absolute horror of Good Night, Nurse!, Fatty Arbuckle and Buster Keaton return to form with this pretty wonderful film. Which is nice.

As you can probably guess from the title, Fatty Arbuckle is a chef in this, while Buster Keaton plays a waiter. The owner of the restaurant, meanwhile, is a man with an absolutely magnificent moustache. Which is nice.

This first section is really great, with Fatty Arbuckle serving up the food in increasingly absurd ways, while Buster’s all charm and acrobatics as the waiter (a pretty good combination, I’d say). There’s even an extended dance scene, which is pretty fun.

And there’s Luke the Dog. Lovely Luke the Dog.

The middle section is the only real lull here, with Fatty Arbuckle and the rest of the staff eating pasta for a full five minutes for some reason, intercut with occasional scenes of Luke the Dog chasing a bad guy around outside for a while.

But at least he gets a hug for all his hard work at the end.

After the interminable pasta interlude, it’s off to the seaside for a day out. I don’t know why. Maybe they just wanted to go back to Coney Island again (and who can blame them, really).

Anyway, at the beach, Fatty’s going fishing, Buster’s going to Goatland (which looks amazing), and Luke the Dog is still chasing that man around. And then there’s a pretty astonishing stunt at the end, which I have spoiled in the image below, I’m afraid.

It’s pretty good fun, all in all. I liked it.

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Notes

1. I watched this on blu-ray yet again. The screenshots are taken from this version on youtube (which seems to be the blu-ray restoration, but with different music).

2. This film was lost until about twenty years ago.

3. But then it was found.

4. I am glad it was.

5. Fatty Arbuckle’s dancing scene in this is also apparently a parody of the dancing seen in Salomé.

6. Another lost film

7. Which unfortunately seems to have stayed lost.

8. One of the few surviving clips from Buster Keaton’s 50s TV shows is him doing/re-doing Fatty’s dance here.

9. But I can’t seem to find it on the internet anywhere, I’m afraid.

10. And I’m not sure it was quite funny enough anyway really to warrant a remake.

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Film Information

Title: The Cook
Director: Fatty Arbuckle
Year: 1918
Duration: 20 minutes
Watch: youtube

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This Film Is More Than 100 Years Old

Good Night, Nurse! (1918)

In Good Night, Nurse!, Fatty Arbuckle is drunk. That’s about it.

The first five minutes of this involve a drunken Fatty Arbuckle trying to light a cigarette in the pouring rain. A woman kicks him in the face at one point.

This is as good as it gets.

The rest of the film involves Fatty Arbuckle being sectioned and operated on to cure him of his alcoholism. It’s an unfunny mess, really

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Notes:

1. I watched this on blu-ray again, and took the screenshots from here.

2. I found this genuinely distressing.

3. And didn’t like it at all.

4. Although a pillow fight resulting in a the sudden wave of feathers following Fatty down the hall like the blood gushing from the lift in The Shining looked quite nice.

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Film Information

Title: Good Night, Nurse!
Director: Fatty Arbuckle
Year: 1918
Duration: 20 minutes
Watch: youtube

Categories
This Film Is More Than 100 Years Old

Moonshine (1918)

In Moonshine, Fatty Arbuckle and Buster Keaton play some sort of government agents trying to capture illegal bootleggers making, well, moonshine out in the hills somewhere. It’s brilliant.

There’s a kind of manic energy to everything here, and a lot of inventiveness throughout. Condense this down to six minutes, animate it, and replace Fatty Arbuckle with a rabbit of some kind and you’d have something pretty good, I reckon.

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Notes

1. I watched this on blu-ray. The version I took the screenshots from seems to be an exact copy of that one.

2. With the same captions.

3. Of which there are a lot.

4. Including a lot of self-referentiality

5. Which is nice.

6. And builds well into the ending.

7. Which I loved.

8. And which reminded me of David Lynch again (Lost Highway, this time).

9. I hope I have accidentally discovered his secret source of inspiration now.

10. And the key to understanding everything.

11. Also, it’s kind of a shame that this one is the worst quality restoration so far (switching, sometimes frame by frame, between looking absolutely pristine and hauntingly ghostly), as a lot of the good visual gags sometimes get lost in the murk.

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Film Information

Title: Moonshine
Director: Fatty Arbuckle
Year: 1918
Duration: 18 minutes
Watch: Youtube