Category: This Film Is More Than 100 Years Old

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This Film Is More Than 100 Years Old

The Rough House (1917)

The Rough House is another Fatty Arbuckle silent comedy, co-diected this time with Buster Keaton, and starring pretty much the same cast as The Butcher Boy.

The first half of this is very similar to the first half of The Butcher Boy, being as it is a near ten minute ever-escalating food fight with the exact same cast of actors, but this time in a nice posh house rather than a butcher’s shop.

In the second half, Fatty Arbuckle has to make dinner for some new guests who turn out to be crooks. This section is surprisingly tedious, although there’s a nice bit where he slices up the potatoes using an electric fan (see above).

Later on there’s a chase, and a gunfight, and Buster Keaton executing an amazing overhead kick to a man’s face that Jackie Chan would have been proud of (see below). And yet it’s still all a bit boring for some reason.

(The reason is there’s no Luke the Dog at all)

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Notes

1. I watched this on blu-ray again, but took the screenshots from this version on youtube.

2. The restored version on the blu-rays looks much nicer than that. You can actually see their faces, for one thing.

3. So I apologise for the poor quality images above.

4. Maybe one day I will learn how to take screenshots from blu-rays, but I doubt it’ll be anytime soon.

5. I’ve said this before, but I love the way old silent films shot on static cameras like this have the feel of some strange 80s/90s adventure games, each room in the house a separate screen.

6. I don’t know if anyone’s ever made a silent comedy adventure game but someone definitely should at some point.

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Film Information

Title: The Rough House
Directors: Fatty Arbuckle, Buster Keaton
Year: 1917
Duration: 20 minutes
Watch: youtube

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This Film Is More Than 100 Years Old

The Butcher Boy (1917)

The Butcher Boy is a silent comedy from 1917, written, and directed by Fatty Arbuckle, and starring Fatty Arbuckle, too, as well as Alice Lake, Buster Keaton, and Fatty Arbuckle’s amazing dog, Luke.

I love Luke.

Anyway the film’s in two parts. The first part is set in the butcher’s shop where Fatty Arbuckle works, while the second part involves Fatty Arbuckle dressing up as a girl so he can break into a boarding school for girls and marry a girl.

The second part has more Luke but less jokes. The first part has less Luke but more jokes. I could not tell you which I prefer.

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Notes

1. I watched this on blu-ray, in this excellent collection of Buster Keaton films.

2. But there’s plenty of version available on youtube or wherever. I captured the above screenshots from this slightly shoddy version.

3. This was Buster Keaton’s film debut, which explains why it’s in the Buster Keaton boxset and not a Fatty Arbuckle boxset, I suppose.

4. Anyway, I’m going to watch one of these every day during December.

5. I hope that’s okay.

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Film Information

Title: The Butcher Boy
Director: Fatty Arbuckle
Year: 1917
Duration: 24 minutes
Watch: youtube (various versions)

Categories
This Film Is More Than 100 Years Old

Various short films of waves breaking by the shore (1895-1902)

These waves have been crashing
on indistinguishable shores
for a billion years
and will
for four billion more

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Notes

1. I love waves.

2. And watching waves.

3. These waves are all over a hundred years old.

4. Lovely waves.

5. Anyway, there’s shots from ten different films here, all of which I watched on the BFI Player.

6. The first film, and the earliest, is Rough Sea At Dover, from 1895.

7. Which apparently fueled a boom in scenes of the sea.

8. For which I am forever grateful.

9. The second one is Breakers, from 1896.

10. It’s only 20 seconds long but it’s lovely.

11. With a good selection of hats.

12. Ship At Sea, from 1898, and Four Warships In Rough Seas (thought to be from 1897, but tagged 1900 on the BFI site) are two nice early examples of the pleasures of mouting a camera on a ship and letting the rise and fall of the sea around them induce seasickness in you from afar.

13. Also for some reason Four Warships In Rough Seas Sea contains at least six warships.

14. Presumably due to some sort of military misinformation campaign.

15. Sea Breaking Against Some Rocks (1898) and Rough Seas Breaking On Rocks (1899) are astonishingly atmospheric depictions of the scenes described by their titles.

16. Which is nice.

17. I love them both quite a lot.

18. And could watch them for hours rather than these scant minutes.

19. There then follows two films called Rough Sea, both from 1900.

20. Rough Sea #1 has a brick harbour wall in it.

21. And Rough Sea #2 does not.

22. If you absolutely need to differentiate between the two.

23. Mostly I included these ones for completions sake.

24. (I don’t know where the comma in completions sake should go so I’m leaving it out entirely)

25. Rough Sea At Roker (1901) is two minutes of not particular rough seas at all.

26. I’ve seen bigger waves at Clacton.

27. I’ve eeen bigger waves at Southend.

28. But it’s still strangely comforting to watch.

29. And the seas do look slightly rougher in the second minuter than the first.

30. I’ll give them that.

31. The final film is Waves At Southport, from 1902.

32. The first minute or so of this contains possibly the most sedate waves ever captured on film.

33. But the second half cuts to a cacophony of seagulls.

34. Seagulls being rougher than all the seas combined.

35. They’ll eat the flesh from your bones

36. And then the bones from your flesh

37. Until there’s nothing left for you to give.

38. I’m too scared to look at any more seas now.

39. So let this be the end

40. Of this little adventure.

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Film Information

Title: Rough Sea At Dover
Year: 1895
Director: Birt Acres
Duration: 1 minute
Watch: BFI Player

Title: Breakers
Year: 1896
Director: Henry William Short
Duration: 1 minute
Watch: BFI Player

Title: Ship At Sea
Year: 1898
Duration: 1 minute
Watch: BFI Player

Title: Four Warships On Rough Seas
Year:1897, or maybe 1900
Duration: 1 minute
Watch: BFI Player

Title: Sea Breaking Against Some Rocks
Year: 1898
Director: Charles Goodwin Norton
Duration: 1 minute
Watch: BFI Player

Title: Rough Seas Breaking On Rocks
Year: 1899
Duration: 1 minute
Watch: BFI Player

Title: Rough Sea
Year: 1900
Duration: 1 minute
Watch: BFI Player

Title: Rough Sea
Year: 1900
Director: James Bamforth
Duration: 1 minute
Watch: BFI Player

Title: Rough Sea At Roker
Year: 1901
Director: Sagar Mitchell and James Kenyon
Duration: 2 minutes
Watch: BFI Player

Title: Waves At Southport
Year: 1902
Duration: 3 minutes
Watch: BFI Player

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This Film Is More Than 100 Years Old

The Haunted Hotel (1907) / Hôtel Électrique (1908)

The Haunted Hotel (which was directed by J. Stuart Blackton and released in 1907) and Hôtel Électrique (which was directed by Segundo de Chomón and released in 1908) are two variations on almost exactly the same theme (that theme being haunted hotels, where everything inside moves around in marvellous stop motion ways).

The Haunted Hotel mixes live action, stop motion (and pixilation) animation, as well as a bunch of other film trickery techniques, to create a series of short scenes where a weary traveller is haunted first by his dinner, then by a napkin, and finally by the entire room itself. It’s wonderful. Especially the end.

This is one of the oldest surviving stop motion films (some of the same director’s earlier attempts are among the many lost), but it’s not only remarkably technically adept, but pretty funny too (I laughed at least three times in six minutes, which is fairly good going I reckon).

The Haunted Hotel was so successful in Europe that apparently every film maker in France spent the next year trying to work out all of Blackton’s techniques (according to wikipedia, at least), which is presumably how Segundo de Chomón’s Hôtel Électrique came about.

Hôtel Électrique copies the basic template of the first film, but upgrades the setting from some dismal single room to a plush, posh French hotel, at the cutting edge of modernity. No expense is spared in providing the guests with the luxuries deserving of their class. Suitcases are unpacked, shoes are shined, hair is brushed, faces are shaved, all in perfect stop motion.

In this film, though, it’s not ghosts pestering people, but electric automation. What starts off as smoothly gliding suitcases and carefully swirling razor blades devolves into chaos when the inevitably of technological failure rears its head and everything turns to horror. The only thing to do is escape with your lives.

It would be another 80 years until Stanley Kubrick remade these two films as The Shining. Never once did he admit his inspiration.

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Notes

1. I watched both of these on youtube

2. The Haunted Hotel here

3. And Hotel Electrique here

4. The picture quality on both is disappointingly terrible

5. Which is a shame

6. I don’t know if there’s better quality versions available elsewhere

7. But I assume there must be, because the gif of the woman having her hair brushed in Hotel Electrique on wikipedia looks utterly marvellous

8. Although maybe that’s simply because it’s been squidged down to almost nothing

9. I watched an earlier J. Stuart Blackton cartoon previously on here

10. Although it was so awful I hid it in the comments rather than give it any prominence on the main part of the article.

11. But The Haunted Hotel is so excellent I have forgiven him now

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Film Information

Title: The Haunted Hotel
Director: J. Stuart Blackton
Year: 1907
Duration: 7 minutes
Watch: youtube

Title: Hôtel Électrique
Director: Segundo de Chomón
Year: 1908
Duration: 10 minutes
Watch: youtube

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This Film Is More Than 100 Years Old

A Woman Undressing (1896)

A Woman Undressing is apparently the oldest known piece of British film erotica. Filmed in 1896 by Esmé Collings, it is almost exactly a minute of a woman undressing, although, such was the clothing style at the time, that’s still not enough time for the woman to actually get undressed.

I very much like the matryoshka element of the display, dresses under skirts under dresses, some sort of Hadean nightmare where no matter how many layers you remove you’re never any closer to getting ready for bed.

So wonder she sits down and sighs at the end. She’s probably got another fifteen slips to remove before she can leave.
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Notes

1. I watched this on the BFI site as usual.

2. I was somewhat afraid to google for alternate links

3. But it turns out it was okay

4. Although the youtube version I found has the world’s worst musical accompaniment.

5. When obviously it should have been this

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Film Information

Title: A Woman Undressing
Director: Esmé Collings
Year: 1896
Duration: 1 minute
Watch: BFI Player; youtube

Categories
This Film Is More Than 100 Years Old

Preston Egg Rolling (1901)

Preston Egg Rolling is a short snippet of documentary film by Mitchell and Kenyon, recording an Easter egg rolling fair, in Avenham Park in Preston, in 1901.

It doesn’t actually contain much egg rolling action (there’s a brief egg roll at about a minute in), everyone being much more interested in the film camera than the sheer mundanity of rolling an egg down the very slightest of hills.

It does contain some pretty brilliant children and babies, however, including the group photo below, and an excellently stubborn baby in a pram who resolutely refuses to hold up her egg for the camera. That child is my hero.

And that was Easter, in Preston, in 1901.

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Notes

1. I watched this on the BFI site again

2. Which is where all my information has been gleaned from too

3. I have very little else to add

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Film Information

Title: Preston Egg Rolling
Directors: Sagar Mitchell; James Kenyon
Year: 1901
Duration: 3 minutes
Watch: BFI Player; youtube

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This Film Is More Than 100 Years Old

Falling Leaves (1912) / La Fee Aux Choux (1896/1900/1902)

Falling Leaves is a short drama about a woman dying from TB, and her younger sister’s determination to save her. It was directed in 1912 by Alice Guy-Blache, the pioneering French filmmaker, who was, it seems, the first person who ever thought to actually make scripted narratives (the faintly terrifying La Fee Aux Choux), rather than using cameras purely for capturing documentary footage.

The centrepiece of Falling Leaves is the wonderful scene where the ailing woman’s young sister over hears the doctor saying that she’ll be dead by the time the leaves have fallen from the tree, and so decides to try and tie the leaves to the branches, so that her sister can live on (and she does!)

Sorry, that was a spoiler.

Now, like I said, La Fee Aux Choux is thought to be the first scripted narrative on film. The original is lost, unfortunately, but Alice Guy-Blache remade it twice (in 1900 and 1902), and it’s that 1900 version that I watched here (although the youtube versions all label it as the 1896 version). The film’s only a minute long, and features a fairy plucking new born babies from the cabbages they grew in.

Anyway, it’s terrifying. It really is.

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Notes

1. I watched Falling Leaves on blu-ray, as part of this excellent BFI box set.

2. But as I don’t have a blu-ray player in my laptop, the screenshots came from youtube.

3. The disc version had a really great soundtrack (by Serge Bromberg).

4. Which the youtube version sadly lacks.

5. I watched La Fee Aux Choux on youtube though.

6. In super blur o vision, unfortunately.

7. You might be able to find better quality versions out there somewhere

8. But I could not.

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Film Information

Title: Falling Leaves
Director: Alice Guy-Blache
Year: 1912
Duration: 12 minutes
Watch: youtube; Internet Archive

Title: La Fee Aux Choux
Director: Alice Guy-Blache
Year: 1896/1900/1902
Duration: 1 minute
Watch: youtube

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This Film Is More Than 100 Years Old

The Flying Train (1902)

The Flying Train is two minutes of documentary footage from the newly opened elevated train system in Wuppertal, Germany, in 1902. It’s just breathtakingly beautiful, and weirdly, impossibly, futuristic, even though it’s 118 years old. And a train.

There’s always something soothing and alluring about watching old footage of city streets recorded from trains, trams and buses or whatever, presumably the lovely unhurried emptiness of the streets, with pedestrians allowed to amble wherever they please, but this footage, I think, might be my favourite ever from that particular genre.

There’s a nice comparison video here, showing this film and some footage filmed from the same track in 2015. You don’t get chickens wandering aimlessly around in the middle of the road in 2015, but apart from that it’s pleasingly similar. But there’s very little that’s soothing about it, due to the cloying claustrophobia of cars.

Also, I don’t know if they have trains like this everywhere in Germany (I’ve never been), but I first saw these in the background of one of the dance scenes in Wim Wenders’ documentary, Pina, a few years ago, and thought even then they looked like something from some unattainable future. I just didn’t know that future was 120 years old.

Who knew Metropolis was a documentary.

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Notes

1. I watched this on youtube here.

2. And I also watched the wonderful comparison video on youtube too.

3. And Although I didn’t watched Pina on youtube, I did find the clip I captured a still from above on there.

4. So hooray for youtube, I suppose.

5. There’s a nice article about The Flying Train film (and some others) here too: This 1902 Footage of a Flying Train Is the Film of the Summer.

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Film Information

Title: The Flying Train
Year: 1902
Watch: youtube
Further Information: This 1902 Footage of a Flying Train Is the Film of the Summer (article; Wuppertal Schwebebahn 1902 & 2015 side by side comparison video

Categories
This Film Is More Than 100 Years Old

Me And My Two Friends (1898)

Me And My Two Friends (1898) is the best four seconds of film ever filmed. It is 122 years old.

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Notes

1. I watched this on the BFI Player

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Film Information

Title: Me And My Two Friends
Director: William Kennedy Laurie Dickson
Year: 1898
Duration: 4 seconds
Watch: BFI Player

Categories
This Film Is More Than 100 Years Old

The Allotment Holder’s Enemies (1918)

The Allotment Holder’s Enemies (1918) is a short film made to advertise The Smallholder, a magazine for allotment owners, providing exciting instruction on how to rid your garden of pests. It was made by Charles Urban, some of whose films I’ve looked at here before.

Alongside slightly strident title cards like the one above, The Allotment Holder’s Enemies contains five minutes of surprisingly lovely and vivid footage of various kinds of fairly benign British garden wildlife, all of which are probably far less benign if they’re about to eat the last cabbage in the country. But it’s still quite amusing to see such ferocious disgust at, well, sparrows.

Poor sparrows.

(Incidentally, that reminds me of this beautiful old bestiary description of bees, which is, and shall always be, one of my very favourite things.)

Anyway, these most destructive birds are then presented to the viewer with some footage (see image immediately below) that doesn’t exactly do much to illustrate the dire biblical plague that obviously at the time they represented.

Just terrifying.

So to calm you down, here are some lovely pictures of snails, caterpillars, grubs.

Although even caterpillars can be quite ferocious.

“Especially to ladies.”

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Notes

1. I watched this on the BFI Player

2. And gleaned, as usual, most of my information from there.

3. A sequel/companion to this, The Allotment Holder’s Friends, was made at the same time.

4. But unfortunately, except for mention of its title in various online catalogues, can find no evidence of its existence.

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Film Information

Title: The Allotment Holder’s Enemies
Director: Charles Urban
Year: 1918
Duration: 5 minutes
Watch: BFI Player