Tales From The Town #186: Dreams Of Animals

On the night of the 31st August, 2024, at exactly 1:23 am, the occupants of the house all simultaneously dreamt dreams that involved animals entering and/or occupying their home.

Agnes dreamt of autumnal dogs sleeping by the fire.
Ethel dreamt of cats and where in the house to find them.
Tina dreamt of a lightly freckled doe shivering in the hall.
Claire dreamt of otters misbehaving in the bathroom.
Anya dreamt birds were nesting in her bowl of all bran.
Oya dreamt of spiders weaving net curtains over all the open windows.
Daniel dreamt entire zoos into every room.
The dolls dreamt of ogres.
The house dreamt of all the ghosts it’d known.

What conclusions can we draw from this? None.

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Notes:

1. Written on August 13th, 2024

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An Abundance Of Beasts

An Abundance Of Beasts (also available here) is an endless medieval bestiary generator, largely utilising information from the always wonderful Medieval Bestiary: Animals In The Middle Ages website and a lovely translated copy of the Bodleian Library Bestiary, and then pieced together using twine.

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Notes:

1. This was made in August 2023

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Five Entries Recovered From Jorge Luis Borges’ Imaginary Book Of Beings

The World

Plato thought the World to be a living being and in the Laws stated that the planets and stars were living as well. Others have it that the earth has its foundation on the water; the water, on the crag, the crag on the bull’s forehead; the bull, on a bed of sand; the sand on the World; the World, on a stifling wind; the stifling wind on a mist. Leonardo da Vinci had it that the World fed on fire and in this way renewed its skin. In another version of the myth, the World, burning red-hot, would put its arms around a man and kill him.

What lies under the mist is unknown.

[Assembled from the following Imaginary Beings: Animals In The Form Of Spheres; Bahamut; The Salamander; Talos]

Heaven

Down the ages, Heaven (also known as Hell) grows increasingly ugly and horrendous until today it is forgotten.

Four centuries before the Christian era, Heaven was a magnification of the elephant or of the hippopotamus, or a mistaken and alarmist version of these animals. In India Heaven is a domestic animal. During the Renaissance, the idea of Heaven as an animal reappeared in Lucilio Vanini. In sixteenth-century South America, the name was given by the Spanish Conquistadors to a mysterious animal – mysterious because nobody ever saw it well enough to know whether it was a bird or a mammal, whether it had feathers or fur. In the story ‘William Wilson’ by Poe, Heaven is the hero’s conscience.

Heaven, in Greek, means ‘that which looks downward’. ‘A vain or foolish fancy’ is the definition of Heaven that we now find in dictionaries.

[Assembled from the following Imaginary Beings: The Basilisk; Behemoth; The Elephant That Foretold The Birth Of Buddha; Animals In The Form Of Spheres; The Carbuncle; The Double; The Catoblepas; The Chimera]

The Mirror

We do not know what the Mirror looks like. So immense and dazzling is it that the eyes of man cannot bear its sight. 

Sir Thomas Browne gives this description of it in his Pseudodoxia Epidemica (1646):

“The Mirror has the ability to assume many shapes, but these are inscrutable. Often for months on end it is not to be seen; then it has presumably moved into other houses; but it always comes faithfully back to our house again. Its beauty delights the other animals, which would all flock to it were it not for the Mirror’s terrible stare.”

Both Brahmanism and Buddhism offer hells full of Mirrors, which, like Dante’s Cerberus, are torturers of souls. This same story is told in the Arabian Nights, in St. Brendan’s legend, and in Milton’s Paradise Lost, which shows us the Mirror ‘slumbering on the Norway foam’.

In those days the world of mirrors and the world of men were not, as they are now, cut off from each other. Chuang Tzu tells us of a determined man who at the end of three thankless years mastered the art of slaying Mirrors, and for the rest of his days was not given a single chance to put his art into practice.

It is long now indeed since I dreamed that I saw the Mirror.

[Assembled from the following Imaginary Beings: The Unicorn Of China; Bahamut; The Barometz; The Eastern Dragon; The Odradek; The Panther; Cerberus; Fastitocalon; Fauna Of Mirrors; The Chinese Dragon; The Chinese Phoenix]

The Half

Suggested or stimulated by reflections in mirrors and in water and by twins, the idea of the Double is common to many countries. But among the monstrous creatures of the Temptation is the Half, which ‘has only one eye, one cheek, one hand, one leg, half a torso and half a heart’. It is also said that it can see with its whole body and that to the touch it is like the skin of a peach. Also that if it is chopped in half, its two parts will join again.

According to the Greeks and Romans, Halves lived in Africa. Pliny (VII, 3) says he saw a Half embalmed in honey that had been brought to Rome from Egypt in the reign of Claudius. This outdoes even the boldest, most imaginative piece of fiction. 

[Assembled from the following Imaginary Beings: The Double; The Nasnas; A Bao A Qu; The Amphisbaena; The Lamias; The Centaur; The Zaratan]

Women

Paracelsus limited their dominion to water, but the ancients thought the world was full of Women. Little is known about what they looked like, except that they were tiny and sinister. Many authorities thought of them as witches; others as evil monsters. The Chinese paint them on their dishes in order to warn against self-indulgence.

Yet in the ballad of Athis, we read:

“Earthly things are but emblems of heavenly things. And we wonder at their song.”

[Assembled from the following Imaginary Beings: The Nymphs; The Elves; The Lamias; The T’ao T’iehThe Western Dragon; Swedenborg’s Angels; An Animal Imagined By CS Lewis]

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Notes:

1. I assembled these during December 2021
2. From The Book Of Imaginary Beings by Jorge Luis Borges
3. For other similar cut up experiments to these, please see In The Terminals OF Minraud (a William Burroughs cut up trilogy), The New Brothers Grimm, and Five Tributes To The Works Of Daniil Kharms

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The Poetics Of Flight (places in space #46)

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Notes:

1. Written in August 2020

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A Book Of Beasts

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Notes:

1. Written and drawn between the 22nd and the 25th of July, 2020
2. Using some new pens my sister had bought me for my birthday
3. And an old square notebook that I had had for some time
4. So long in fact the pages had begun to yellow
5. And the cover been enthused with a glow of dust shall never leave it soul.
6. A list of inspirations, homages, plagiarisms, thefts, explanations, apologies etc follows.
7. It is probably not exhaustive.
8. The Mobius Snake shows why I did not colour the rest of the book in, for though my black pens were conatined by the page, the colours were not
9. Thus ruining poor old Violent Penguin’s return to the page.
10. (I didn’t start colouring them in until I’d got to the eyeball one, but soon realised the error of my ways. Please forgive me. It is done now. It cannot be undone.)
11. I also messed up Violent Penguin by using a too thick marker pen to write the descriptive text. I did not do that again.
12. If you would like to know more about Violent Penguin, please follow this link, so as to peruse his complete adventures.
13. One of my nephews draws people like Simon, their shoulders becoming their mouths. I like his style.
14. My nephew is not called Simon.
15. I know no Simons at all.
16. People. I remember people. But only in the most abstract sense.
17. I wrote the thorns after reading The Snow Child by Angela Carter (which is in The Bloody Chamber)
18. And also after getting caught on a thorn.
19. An exciting occurrence, I’m sure you’ll agree.
20. The Ohm is just an Ohmu from Nausicaa
21. I quite like drawing them.
22. Flaffs are also basically stolen straight from Ghibli (the soot things from My Neighbour Totoro, Spirited Away)
23. Though I was thinking more of a Jib-Jib
24. Largely because I’m always thinking of Jib-Jibs
25. The Fury: whenever I see a dog, it barks at me. I imagine them all eating me away to nothing.
26. Spiders. I like spiders. If you would like to learn more about spiders, please read Spiders Are Wonderful, an educational book for all ages.
27. In fact, the poem one is basically a re-use of the proposed illustrations in an unmade sequel to Spiders Are Wonderful
28. Called Books Are Wonderful.
29. Because books are wonderful.
30. Especially self referentially infinite books all about themselves.
31. The bees one is a reference to one of my favourite things in the whole world, and definitely the most beautiful, which is this entry about bees from a medieval bestiary. “Bees are the smallest of birds.”
32. (Another unmade Toby Vok educational tome insisted that Bees Are Horrible, but in this Toby was wrong).
33. Also this is called A Book Of Beasts because the medieval bestiary book I have is called The Book Of Beasts.
33. The hat one is a Miller’s Crossing reference I suppose
34. Although was not necessarily so at the time
35. (It was windy)
36. Dragonaire might be another Ghibli one.
37. Or maybe it’s the Rainicorn from Adventure Time
38. Or maybe it really was just a cloud.
39. I spend a lot of my time these days staring up at clouds.
40. There’s very little else to do.
41. Loom is basically the Groke
42. Who is the figure in all of literature I most wish to be.
43. Edith is about Edith Swan Neck
44. Who seems finally to no longer be reduced simply to her neck
45. By the curses of history.
46. Bright Horses are from the song Bright Horses, by Nick Cave
47. Which might be the beautiful song I’ve ever heard.
48. And makes me often wish to cry.
49. Which is a nice way to end this book
50. Of beasts

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Thank you!