from the archives of Essex Terror: The Essex Bestiary

Notes: The Essex Bestiary has been compiled from a number of separate entries, entities, sources, and sorcerers. The originiating expert has been credited in brackets beneath the relavent beasts, although it is possible that that information is as, or possible more, unreliable than the detailed descriptions they provided.

***

Alan Headbold

Alan Headbold – or ‘The Alan’ as he is known in Suffolk – was a popular man in 19th century Chelmsford, having won the annual wife lifting competition four years in a row. He also achieved fame for rescuing Patsy, the Mayor’s Labrador after she fell through the ice on the local skating pond one particularly harsh winter. Unfortunately, it was this last show of courage that was to be Headbold’s undoing as a man. Convinced that Patsy was the true love of his life, he drove himself to a foaming jealousy upon seeing the Mayor proudly parade his trusted companion about the town at weekends. Headbold’s twisted delusion transformed him from local hero to feared villain. Headbold left his wife and home and retreated to the Tiptree caves. For several months villagers there recounted that he had begun to show signs of feral activity, scampering on all fours through the streets at night and stealing old pieces of meat which he carried away in his mouth.

By some mysterious method, he soon gathered a pack of other hounds around him; strays mostly but also some who had been thrown into the river as puppies in a failed attempt to kill them, the memory of which had ignited their hatred of Man. To the shock and amazement of all concerned, on the 14th June 1893, Headbold, wild-haired and naked but for a small leather flap dangling over his shrivelled manhood, led this pack of slavering beasts on a raid of the Mayor of Chelmsford’s manor home. Shattering through the windows in a series of great leaps the pack entered the poor official’s home just as he and his guests were sitting down to a fine dinner. Headbold is alleged to have appeared down the chimney, caring not for the flaming coals in the hearth which terrifyingly set his body hair aflame. One guest recounted that Headbold had rolled over the carpet at an in-human speed and then somersaulted onto the dining table roaring as he did so. He made a direct line for the Mayor but was smashed from his path by the massive punch of a blunderbuss wielded by Sir Panton Grieg Hanvorhandles, the fearless, seven-foot big game hunter. The big man had just retired from a life spent quenching his thirst for blood in the darkest folds of Africa, and having never lost his habit of carrying the thunderous weapon about with him wherever he went he brought the thing to bear with a practised ease even while others around him still had their forks in their mouths. With their leader presumed dead and the prospect of a decent meal on the cards, the remaining canines seemingly lost their spirit for vengeance and went about wagging their tails, accepting a petting from the waiting staff whilst the guests waited for their carriages. Whilst a huge pool of blood was found under the table, Headbold’s body was never found.

Since the the time of these extraordinary events, the chimney down which Headbold appeared has been solidly bricked-up. There is a thriving business inviting visitors into the house now, which the family enhances with rumours of scratching and faint growling behind there late at night.

[from the diaries of Hugh Paterson, a doctor of some repute]

***

The Baboons Upon The Marsh

Of all the recurring stories of Essex, the most pervasive is that of the ape gone wild. In our journey through the history of Essex it crops up again and again with such frequency it is tempting to believe that it must be more than the terrified bellowing of generations of feckless mothers haunted by the shambling abortions they left in the woods.

Amongst all our research the “Baboons Upon The Marsh” appear to be the most credible. The Dengie in Essex was long the centre of England’s ape trade, the docks at Burnham bringing in more than 700,000 baboons between 1503 and 1651. It was said that at their height the meathouses on the riverfront could peel 600 apes in a day. Sadly, the factories were destroyed by Oliver Cromwell in a fit of anti-monarchist zeal towards the end of the civil war, and Burnham moved on to other pursuits. Yet the locals would not forget.

Over the next hundred years a number of reports of shambling creatures cavorting about in the mud of the nearby marshes can be found in the local newspaper reports and court records. Some speak of “abominable cries loike that of childe” echoing across the saltings, others of “man, but not man, drunken of gait, but permantlye, like a man, like a man, but not man, not man.” It is a familiar refrain.

Over time these reports coalesce into a general belief of baboons roaming out in the mudflats, living off oysters and dirt, dancing across the rivers at low tide towards the civilised parts of Essex to the south and the north. Rumours of women enjoying lewd liaisons with these creatures of the marsh are as yet just the speculations of the authors of this book, but it seems a reasonable conjecture. The ways of our people do not change much, it must be acknowledged.

As the centuries have passed the talk of these baboons has faded, but perhaps that is because civilised life has retreated from these lands, and our gaze is turned away to more appealing things. It is said we see what we want, and the inverse is most certainly true.

from The Book of Essex Monsters by Prof. Dreg Twedloxx & Assorted Authors (1947)

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The Bellowing Son

One of the worst creatures that blight these lands, a bellowing son can afflict even the quietest of women. In the earliest stages of childhood, a bellowing child is often indistinguishable from his human peers, but as the creature ages, it begins to lose the ability to mimic human speech and emotion, resorting more and more to frightening and incoherent outbursts of sound that barely even register as words to the human ear.

In medieval times, bellowing was considered a mild form of possession, perhaps by a goat or other belligerent animal, as opposed to a demon in the more advanced cases. However, in recent times it has generally been accepted that it is likely to be caused by a combination of unsanitary conditions and an excess of immorality. It is for this reason that it appears to affect the people of Essex more than those in other less benighted areas of the countries.

from “Medical Afflictions of the Essex Peasantry” by Alice Hedgecock (1937)

***

The Beast of Beacon Hill

Doubtless the reader has heard of the Bodmin Moor Beast, and Norfolk’s ‘Black Shuck’, but Maldon’s Beacon Hill plays host to its own, peculiar specimen of crypto-zoological obscurity. ‘Dangly Ubb’, as the locals have christened it, is neither lupine nor feline, but is reportedly a giant, hairy, breastlike monstrosity that has often been seen flopping around the hilltop. Originally thought to be a joke amongst the local milkmen (it is said to be most active in the early hours of the morning), the legend was lent significantly more credence when in 1992, councillor Donald Spavins claimed to have seen it lactating atop a streetlamp. Spavins later saw that the streetlamp was replaced in accord with health and safety town ordinances.

[so sayeth R. Field, a man of knowledge and wisdom]

***

Edward Bright, Eater of The Dead

At various times throughout history different methods have been employed to combat the threat of The Dead, and one of the most sinister attempts at control was employment of The Eater.

The Eater would be forced to live on the edge of town, subsisting on naught but the flesh of the dead. At first bodies would be brought to him untouched, but later, as ritualisation and superstition took hold, lavish banquets would be prepared from the corpses and the role of The Eater changed from that of outcast to king (or at least mayor).

The trouble with this method was the increasing population in Essex during the late Middle Ages and early Modern period. As only one Eater could ever be employed, the sheer amount of flesh that had to be consumed led to increasing health problems, and the position began to be phased out.

The last known Essex Eater was Edward Bright (1721-1750), of Maldon, colloquially known as The Fat Man Of Maldon. Inheriting the role from his father, he began Eating at an early age, eventually growing to gargantuan proportions. His girth was so great that it threatened to collapse the town, and in the early months of 1750 the townsfolk lured him into the river Blackwater by placing the dead body of his mother on a mudbank in the middle of the river, apparently at low tide. In his desperate lust for her meat he began clambering across the mud. As he reached the corpse he screamed in triumph, but it was short lived. The men of the town had created a temporary dam across the river further inland, and on seeing The Eater feasting ravenously they broke it open and the rushing waters carried him away.

It is said he lives on at the edges of the ocean, searching beaches for the hulks of dying whales. On finding them, he emerges from the depths and helps them on their way to their final destination.

[account provided by David N. Guy (no relation)]

***

The Bobby

Feared by all, from the mouth of the river Blackwater to the anus of England known as the Thames Estuary, talk of the Bobby was always confined to whispered warnings even in the relative safety of a popular tavern. Known to prey on the weak and drunk, the Bobby terrorised the gentlefolk of Essex for over two decades in the mid eighteenth century ensuring its place in local legend. The beast was thought to have been roughly the size of a donkey but larger and ten times as dreadful. Always appearing at night, but never seen as a whole, the beast struck without warning at the unwary traveller, often knocking the hapless victim to the ground in a flurry of ungodly hair and loud snorting only to find that when they arose, bruised and bleeding, all their hay and apples had gone. Of note, from local records it is reported that in 1758 the Bishop of Maldon implored his congregation to stay in their homes between the hours of 6 in the evening and 7 the next day to avoid attack by the apparently ferocious Bobby creature. However it is later reported that the Bishop was taken into custody and then thrown into the sea without trial after it was discovered he had been committing lewd acts upon his own person in the village square late at night. Evidence of the Bobby becomes scarce after 1773 although brief mention is made in a parish magazine late that year of an inexplicably deformed skeleton of a man with four long limbs and an impossibly long head. It is rumoured that the locals found the unidentifiable remains scattered around four mysterious curved metal rods, presumably evidence of the monster’s diabolical strength.

from The Book of Essex Monsters by Prof. Dreg Twedloxx & Assorted Authors (1947)

***

The Brain Tree

The first appearance of the Brain Tree in Essex folk-lore is in the Cronicle of Chelmesford. Under the entry for 1352, following a brief description of the recurrence of bubonic plague in this year, a meat-fisted scribbler briefly displaces the usual neat monkish hand and scrawls “Bee ware ye BRANETRE”. Recent attempts to link this with the catastrophic outbreak of bran-induced flatulence that rendered Chelmsford uninhabitable for large periods in the late 14th century have been refuted, and Dr. Plectrode’s suggestion that this is a first-hand witness of the Brain Tree remains the most plausible.

According to legend, the Brain Tree is a large willow usually associated with the River Pant (previously Shitpant), although some stories also link it with the Blackwater. It lulls weary travellers to sleep in its shade, then wraps their heads in its long trailing branches, and eats their brains. The victims are then discovered by passers-by, incapable of rational thought or coherent speech, and are integrated seamlessly into Essex society. In the sixteenth century, belief in the Brain Tree was so strong that mobs swept the Essex countryside looking for willow trees to burn them down, with the result that Essex now has fewer oak trees than any other region of comparable size in England. The last recorded mention of the Brain Tree in Essex oral tradition comes from the Reminiscences of Derek Poke (1884), in which he mentions that a tree branch knocked his uncle’s brains out, but that his uncle survived to father four children and become a vicar after a pig’s brain proved to be an adequate substitute.

from The Book of Essex Monsters by Prof. Dreg Twedloxx & Assorted Authors (1947)

***

The Burning Of The Leaves

Every year at the start of September, gatherers sweep the towns of the Dengie, carefully picking a leaf from each and every tree in the parish. A bonfire is built from the leaves, and, on the evening of the 21st, lit. As the leaves burn summer drifts away with the smoke.

Once, a man refused to let the gatherers pick a leaf from his tree, for he had recently planted it over his wife’s grave and was concerned it might not make it through the winter. The tree survived, and that winter did not even shed its leaves, instead producing a constant abundance of fruit.

His neighbours refused its harvest, however, and the man had to eat it all himself. On the first day of spring a pip lodged in his throat and he choked to death and died. The leaves on the tree burst then into flames, and they never grew again.

From Customs And Sayings Of The Peoples Of The Coasts, by Simon Shirlthrell, published in 1963 by The Folklore Society.

***

The Butcher of Beeleigh Road

John Compton’s trade was no secret: he ran the local butcher’s shop on Maldon High Street from 1955 to 1978, and was known by all to be a large and ruddy-cheeked fellow who took great pride in his work, and always spoke the best of people. Yet what of the other John Compton? The one who hid away from prying eyes, long into the evening each night in his home on Beeleigh Road? Could he have been laughing maniacally to himself as he sharpened his butcher’s blades, eyeing the children of the local comprehensive and imagining their blood washing through the streets and into the gutters? Could he really? He had to be hiding something, did ‘Jolly’ John Compton.

[as told by R. Field, esq]

***

The Charming Skeleton

There lived upon the marsh a skeleton of unnatural charms, who, despite the lack of flesh or mud upon her bones, provided the most alluring sight many Essexmen had ever witnessed. It was said that just a single coquettish clack of her jaw could cause a man of married means to abandon his vows and leap through the windows of his connubial prison to chase after the illusory freedom of a night with this calciferous wench. Of course, the skeleton would lead the men not to liberation but to the eternal subjugation of death and devilment.

The nameless skeleton would take the men to a graveyard and entice them into a hole on the promise (never stated, for her fleshless face was incapable of speech) of a night of blissful coitus in her supposed bed. Upon realising that she would not join them, and that her bed was in fact a grave she had freshly dug, the men often became somewhat depressed and would refuse to leave, sighing away to an early death rather than return home, for that would entail an admission of their gullibility and of how easily they had succumbed to their lustful perversions.

It is not known where the adventures of this charming bonestress ended, but she was last seen on the roadways of Essex in 1449. Some say she fell in love with a beached whale and dragged the beasts bones back into the depths to prove her love, others still that she moved to Kent and stole a horse, but the truth shall likely never be known.

From Essex Bones: Tales Of The Skinless Days (1432-1456), edited and possibly fabricated by Webbingsley Munkton and first published in 1879

***

The Crabbus Man

‘As any fool know, to walk after dark through Promenade Park is to walk in the shadow of death; for there the Crabbus Man lurks and scuttles, with his clacking claws and twitching eye stalks, ready to leap upon the unwary and clack at them, they whose souls shall know no peace for all their remaining days upon the Earth…’ Or so wrote the Reverend Joseph Arkwright in his diary for the year 1863. Arkwright never saw the creature himself, though his borderline obsessive documentation of the Crabbus Man, including many incidents of its manifestations as sundry simulacra throughout Maldon (be it a cloud that ‘rather resembled a crab’s claw’ or a shadow upon a grass verge that ‘seemed to scuttle most unwholesomely’) has become the go-to source for Crabbus lore.

[for a full accounting of The Crabbus Man, please stand by]

***

The Dead

The dead have long been a source of irritation for the people of Essex. Somtimes seen shambling here and there on the edges of the towns, and often found clogging up brooks and rivers (the dead cannot swim), no matter how much they are ignored they never seem to fully go away.

12th Century Essex Chronicler and Monk, Ralph of Coggeshall, described the dead in his Chronicon Anglicanum as symptoms of nostalgia, considered one of the great sins of medieval times. Others, such as Witch murderer Matthew Hopkin, have subscribed their appearance to hallucinations brought on by the unique mixture of lust and rotting marshland that permeates the Essex countryside. Their true origin, however, is unlikely to ever be discovered.

“There are more of us than there are of you” is the dead’s one irrefutable cry, and no matter how desperately the people of the county have tried to breed their way to dominance, the living have yet to outnumber them.

***

The Essex Throttler

Years before London’s Jack the Ripper would stalk the streets of Whitechapel in search of victims, a far more vile and mysterious entity began a reign of terror throughout Essex that would last well into the next century. It became known simply as ‘The Essex Throttler’, for that is what it did: its prey were seldom granted the sweet release of death, as in Jack’s case; but instead were throttled to within an inch of their sanity and left as pallid, idiot revenants, white haired and wild eyed, to wander the streets of Essex townships, babbling incoherently about their experiences. It is said the rise of the British ‘Chav’ population has its genetic roots in these poor and damaged souls.

[from the lips of R. Field, whispering beneath the pier]

***

The Eternal Beating Heart At The Centre Of Existence

Although it has never been seen by human eyes, it is a matter of irrefutable fact that at the centre of existence there lies a huge and powerful heart, beating its way relentlessly through time, each beat separating out existence into a series of distinct moments so that we can live.

The best method for hearing the echoes of this huge celestial heart is to sit in your garden and night and push a cat as close to your ear as possible, holding it there despite its protestations, listening, listening, listening. The cat, unhearted and inert, acts as the perfect conduit for absorbing and amplifying sound, its whiskers perfect antennas that can pierce the walls between the worlds.

A dog will not suffice

This short and possibly unfinished article was found in the papers of Toby Vok that were bequeathed to the county of Essex upon his disappearance in 1990. As far as can be ascertained, it has never been previously published.

***

The Tale of Gin Susan

In the late 1700s, under cover of darkness, a publican’s daughter by the name of Susan Tines is said to have snuck out of the Swan and Bender Inn, Colchester, clutching tightly to her person a letter she had written only that evening. Her intent was to deliver it (the recipient unknown) before the nearby churchbells sounded in the new day; for if she did not, she would be condemned to die young and in agony. Where had she learned of this terrible fate? In another letter received that very day, demanding that if she was to live she must pass on its curse. It is quite possibly the earliest recorded example of the chain letter phenomenon, and an 1848 copy is on display at the Chelmsford Museum of Antiquities (attributed to Thomas Chatterton, given its pseudo-medieval stylings).

Sadly, so the story goes, fate was not on Susan’s side as barely a few yards from her home she ran into a friend of her father’s and was quickly apprehended, returned, and locked away in her room. The pressure of these events appears to have snapped Susan’s fragile, womanly mind, as on the following day she drank herself into a gin-induced stupor and fell down a drainage ditch; whereupon her still-warm body is supposed to have been devoured by blind, piglike creatures rumoured to live underneath Colchester.

That is not the end of the story, however. For it is said that if any who know this tale choose to propagate any sort of chain letter, Gin Susan’s bloodied, half-eaten specter will appear by their bed and drag them off to the Colchester tunnels.

The tale of the tale does not end there either. In the late 1960s, an Essex medium operating under the name of Madame Cravatsky (real name Enid May Beake) claimed to have contacted the spirit of Gin Susan, and offered to give a public demonstration of her talents to a small audience at the recently opened Civic Theatre. The ensuing spectacle involved much wailing and over-consumption of gin, after which Blavatsky manifested a pool of ectoplasm before passing out completely.

Whatever the truth behind Gin Susan’s tragic tale, this writer at least shall be held in check by it whenever a chain letter should happen to arrive in the post. Perhaps you will now, too.

[R. Field is now dead, unrelatedly]

***

Gordon Of Essex

Page seventeen thousand four hundred and eighty two of the Essex Chronicle of Idiots (Volume 5), tells of middle-aged man — the self-styled Gordon Hood, later ‘Gordon of Essex’ — who, inspired by tales of a contemporary Nottingham-based vigilante named ‘Robin Hood’, attempted to emulate that champion of the poor but failed entirely with disastrous results for the general population.

14th century records (mostly wanted posters and instructions to kill on sight, hand-written and circulated by the general public using whatever materials were to hand at the time) convey that through his misguided efforts Gordon Hood drove the local poor folk into a downward spiral of increasing poverty, homelessness, migration and suicide for almost a decade. The resultant mass exodus away from and mass loss of life in the county of Essex and across East Anglia has secured his place in local and regional lore ever since.

Gordon’s main problem was that he hated the poor. He had himself been born into a noble family with strong connections to the Crown and been raised among great wealth and privilege. Try as he might, he seemingly could never discard the ingrained notion that the poor deserved their suffering and indeed in many cases were not suffering enough. This notion had a habit of overwhelming him in the midst of a well-meaning action, reversing it, and is thus suspected to be indicative of a genuine psychosis.

For example, on 19th September 1382, Gordon carried out a daring hold-up on horseback of a wealthy merchant’s treasure carriage as it travelled through Epping Forest to a depositing bank in the City vaults of London. However, just as he pointed his drawn bow at the carriage driver, he underwent a schizophrenic change of heart. He immediately drove his horse in the direction of the nearest small village and raided it. The Sheriff of Essex’s records, taken from surviving witnesses, state that Gordon rode into the centre of the village, waving his sword and screaming “Damn the poor!” with such force that he spat blood. He proceeded to enter each hovel in turn, chasing the inhabitants out of their homes, stealing what precious little they had of value and throwing it into a large sack. Just before the Sheriff’s men arrived to stop him, he set the village alight with a number of well-placed flaming arrows and disappeared into the forest. Gordon must have ridden for over an hour before he caught-up with the merchant carriage he had interrupted earlier. He promptly delivered his bulging sack of trinkets to the occupant via the window. He then cantered away into the foliage and went into hiding again. This was but one of over seven hundred such incidents attributed to Gordon over a ten year period.

When his true identity was finally discovered, his family, driven by shame, gathered a small army and scoured the county in search of their errant son. After a few months of searching, they finally cornered him at a run-down Friary where he was terrorising a tiny child. He was found clutching at the scabrous orphan, emaciated and blind, yelling in its face that it must submit to a scalping so that the value of its hair might be better applied to the balding pate of the Earl of Essex. Despite being a physical wreck, the unfortunate child was putting-up an admirable defence, squirming and kicking at Gordon’s shins with what little strength it could muster. Gordon’s father and younger brother led the capture, trapping him in a net thrown from horseback, and so his reign of terror was finally ended. The eventual fate of Gordon of Essex is obscured by sheer weight of wildly varying personal accounts and rumour.

[from the diaries of Hugh Paterson, a know charlatan]

***

The Grey Men, and Women Also

The Grey Men, found throughout Essex, are mostly sufferers of an unnamed disease, recently found to be caused by a mildly mutated form of the bacteria Mycobacterium leprae, harbinger of Leprosy. The mutation of this bacteria causes irreparable rotting of the synapses in the brain, categorised most clearly by an increase in the amount of banal empty phrases and conversational gambits used by the sufferer. In extreme cases, the Grey Man (Or Grey Woman, although this is much rarer) ceases to be capable of any speech beyond talking about the weather. “Looks like rain” has became a phrase of utter terror throughout the county.

Transmitted by prolonged exposure to uninteresting ideas, groups of sufferers are often found together in huddles and queues, staring blankly ahead, a facsimile of discussion breaking out a mongst them that on closer inspection is little more than the repetition of stock phrases and stale opinions.

In modern times, Grey Men are most often found waiting at bus stops. Indistinguishable from unaffected people, it is only when they refuse to join you in getting on the bus do you realise how narrow your escape as been. You look back out the window and watch the rain begin to fall upon the unmoving line of them. The relief is so great you don’t even begin to feel resentful of the other passengers for a stop or two.

***

The Laughing

Once a man was driving through Essex late in the evening when he saw two children sitting next to each other. He shouted “What are you looking at you cunts” at them. But the two began laughing loudly. The man drove on and after a while he encountered the same two children, who began laughing once again.

***

The Maldon Mer-Man

In the spring of 1780, local eccentric and prestidigitator, Alan Mulvane, claimed to have caught a bizarre sea creature whilst out fishing on the Essex salt flats, ‘Thee lykes of wiche fulle horribele it wass and no mistayke’. It was immediately put on show in what was to become one of England’s most famous freak shows, drawing crowds of up to twenty people at a time. Some claimed it was just an old boot that Mulvane had stuffed full of sandwiches, but still others noted an uncanny resemblance betwixt it and the sea trout of the nearby tidal estuary…

[account provided by R. Field, who was rumoured to come from the north]

***

The Midsummer Maze At Maldon Marsh

The Midsummer Maze was an event held annually in Maldon from antiquity up until the modern day.

The Maze was a network of trenches, said to have been at least six feet deep, dug into the muds of the marsh. Each Midsummer’s Eve, at the lowering of the tide, townsfolk who were in need of the charity of their betters or the favourings of their gods would enter the Maze by the Eastern Passway. There they would try and find their way through the disconcerting network of passages without getting lost, becoming stuck, or being overcome by marsh madness (a debilitating affliction with symptoms similar to post traumatic stress syndrome).

Those that managed to emerge successfully from the Western Opening before sundown (the entrances and exits were aligned symbolically with the positions of the rising and setting sun) received the promise of good luck and a showering of silver coins from the Mayor and his wives.

Those that did not manage to emerge were lost to the marsh, drowned by the rising tides and sucked slowly underground during the night. Any participants that emerged, confused and ashamed, from the Eastern Passway were driven from the town and never mentioned again.

In 1915 the local council entered into a contract with the British Army for the procurement of mud, with which a series of full scale replicas of the then current positions in France were to be built, precipitating extensive mining of the marsh that continues to this day. Although the Midsummer spectacle of the Maze was ended by these developments, echoes of the event still persist in both the Maldon Mud Race (held traditionally at Midwinter) and The Drownings (August 17th, weather permitting).

***

The Morning Birds Free The Souls, The Night Ones Take Them

“In Essex, for example, it was a commonly held belief that heaven resided in the earth and hell within the air. Crops grew from the ground, while fire and smoke rose upwards.

“Worms were believed to be new souls struggling to the surface from heaven, and only with the help of the morning birds could they be pulled free and delivered to the newborns that needed them. A child born in the morning was said to be blessed with a good soul.

“Upon death, the body was returned to the ground, so as to be nearer heaven. The bodies of the sinful and the condemned were hoisted up and left on the roofs of houses, so that the evening birds (crows, gulls, owls) could pick clean their bones and take their flesh up into the skies towards damnation.”

Taken from “The Other English Traditions”, by Margaret Baker, published by David And Charles Country Books, in 1971.

***

Old Crow Head

Old Crow Head popped out of the woods and into town,
And squawked and flapped and pranced around,
But no-one paid her too much mind,
Just thought she was an abomination of her kind.

She came upon a bishop at work,
His rod pushed up a young woman’s skirt.
Old Crow Head with her beak attacked his neck,
And the bishop was dead before he could say “Oh heck!”

“Old Crow Head you saved me from a life of strife.
“Let’s get married, as wife and wife.”
Old Crow Head didn’t know what at all to say,
So she bit the girl and flew away.

The townsfolk found the maiden, all covered in blood,
Beside her the bishop, still dead in the mud.
“For this crime young lady you must pay.”
And built there a pyre out of bales of hay.

The burning hour was soon at hand,
As the sun set across the land.
They faced the girl out to sea,
And let her weep and cry and grieve.

The flames licked up around her feet.
She thought, “All this because of the Bishop’s meat.
“I can’t believe I’m going to die,
“Underneath this impossible moonless sky.”

“My only crime was to be a girl.
“If it wasn’t the bishop it’d’ve been the earl.
“This county’s men are all the same.
“When you have power you don’t need shame.”

The flames of the fire rose higher and higher,
And the crowd behind shouted, “Liar! Liar!
“You filthy cow! You wretched whore!
“I hope in hell they hurt you more.”

And just when they thought her death was assured,
Above them the flapping of wings could be heard.
Like a heart they beat, astonishing loud,
They blew out the fire and dispersed the crowd.

Old Crow Head flew down and chased them all around,
Across the beach into the sea, where thousands were drowned.
The rest of them? I suppose they got away,
But where they went only God herself could say.

And then by her love Old Crow Head did land,
And placed a wing in the other’s trembling hand.
“Caw caw caw,” said Old Crow Head,
And together they lived until both were dead.

from “The Songs Of The Slums”, published in 1903 by Prittlewell and Pitsea Press, and edited by Mary Savage

***

Peter Pitt and Mary Mye

The Essex Bestiary, Ted Vaaak’s three volume masterwork (The Time Before Memory And Recollection: 3000BC to 1977, An Abominable Year: 1978, and An Ever Increasing Density Of Disgust: 1979 to 1990) that was published to great acclaim in 1991, catalogued in great detail every fearsome beast, every genetic mutation, every ghost and every goat that had ever terrorised the folk of this county. And yet none of these creatures contained within it were as monstrous as Peter Pitt and Mary Mye, a pair of Essex itinerants of such abominableness they transcended the restrictions of their human births and became beasts of almost mythical stature.

Little is known of their origin, and even less of their ultimate destination, but of their journeys none in Essex are ignorant. At every bus-stop, at every train station, in every park and every High Street, somehow always they would be there. And, always, arguing. Peter Pitt, his face red as burning coal. Mary Mye, her whole body twisted in a lemonchewing scowl. Obscenities flung back and forth between their lips with such power and metronomic regularity they could have been used to power an electric dynamo if only the council had heeded my plans. Always in progress when you arrived, and undimmed in ferocity when finally you escaped, the underlying cause of their disagreement has always been impossible to discern.

For the last fifty years the people of Essex have had no peace. Silence is unknown until death. We wait, we dream. Around us the battle rages.

***

The Story Of A Grave

The tombstone of Barry John Johnson looks no different from any of the others in the quiet cemetery. It’s a plain stone slab, decorated with a simple cross. It lists Johnson’s date of birth (2 December, 1613) and death (3 January, 1647), states his rank (Sergeant), and mentions his service against the Roundheads at the battle of Marston Moor.

If you were to dig beneath the stone, however—an act which is forbidden by a special order from the office of the Witchfinder General—you would find something out of the ordinary. You would have to dig through three feet of earth, then three feet of slightly different earth, then scrape through a thin layer of gravel, scoop out a hundredweight of treacle, extract several cubic metres of compacted white dog shit, go through a scale model of the Great Pyramid with a pickaxe, then break open a metal enclosure that reaches ten feet into the ground, and then dynamite your way through a solid marble sarcophagus before you got to the metal casket, which is lined with lead sheeting. If you finally managed to get the casket open, you would find what appeared to be a mummy or possibly a frankenstein, wrapped in successive layers of lead, corduroy, tweed, silk, sackcloth and ashes. After unwinding these wrappings, you would finally see the mortal remains of Barry Johnson himself. You would notice that his belly and chest have been roughly sliced open and his internal organs removed, along with his feet and most of his teeth. While pondering this macabre scene, you would be absorbing enough evil to put your immortal soul in peril. For Barry Johnson is better known to the world as Jack Pudding, the notorious Dancing Man of Walthamstow.

[from the teachings of Matthew Bladen, a scientist]

***

The Testimony Of Alan Sturgeon

“I returned from the war to discover that my brother [Barrence Sturgeon, a man of both physical and mental inefficiencies] had been taken into the employ of Alexandra Spindleshanks [a local businesswoman and Quaker]. How he came by this job I do not know for no-one liked to speak of him. I supposed eventually that with the rest of the men of the village away in France there would not have been much choice. But still it was a surprise.

“He was devoted to her, though. My mother said that he barely returned home such were the hours he worked, and when he did he was withdrawn and sombre instead of his usual loud and unbearable self.

“I thought very little of it all, in all honesty, until one day when I happened to be walking through the woods by her house. Through the trees I could see my brother walking, back bent so low his face was almost to the ground, following what appeared to be a small dark dog. He continued like this all the way to the front door of the house, where he straightened up slightly to open the door, before resuming his earlier position and scuttling inside behind the creature he was seemingly acting as a personal valet for.

“This abject display of humiliating servility – to a dog! – roused a fury in me which I could not contain, and I rushed after him, barging open the door into the huge hall of the house.

“At the far end of the chamber, in an armchair by the foot of the stairs sat Alexandra Spindleshanks. She stared straight ahead but her limp posture and the slowness of her breath gave the impression that she was asleep. She was bound in a cloak, which by concealment made her look so small and frail I wondered briefly if she could even have any arms.

“Before I even really had time to finish that though my attention was drawn again to Barrence, who continued to make his bowed way across the room. I could see now that it was not a dog that he followed, but some spiderish thing of unknown design. It could possibly even have been a crab. It clattered its heavy legs down onto the tiled floor and the sound of them was like hammers striking metal spikes into the ground.

“Whatever it was, it was making its way towards Mrs Spindleshanks, and without thinking I withdrew my service firearm I fired two shots at the creature. The first bullet hit the creature square in the back, which caused it to exploded with unexpected force, covering the floor in a surprising amount of flesh and bone. The second bullet smashed a vase on a nearby sideboard, but I do not know how.

“Barrence fell then to the floor, wailing and weeping in grief. He gathered up the remains of the beast and cradled them in his arms. I asked him what he was doing and he said “It is important to serve your masters, even in death.” He climbed the stairs and entered a room somewhere up there and would not come down.

“Mrs Spindleshanks turned her head slightly at the slamming of the door upstairs. I could not tell if she saw me, however, and presently I left. I did not see my brother again until this today.”

From the trial of Barrence Sturgeon, who was eventually convicted and hanged for the brutalisation, dismemberment and murder of Alexandra Spindleshanks in 1919.

***

The Witch

Many times have I asked myself why does the witch seem to be more prevalent in Essex than it does in the further lands. Walking down every road I see swarms of them, cackling, groping, eating, displays of such grotesquery I find it unbelievable that there is not more screaming within these towns. Not even our pubs are safe anymore, where witches can often be found behind the bar, their vile hands touching the very glasses that we are expected to drink from.

Much talk has been made of the fact that if you draw a pentagram across the map of our isles one point will be poking its way into the Essex heartlands, but I believe this to be unlikely. The Essex Witches, having survived purges and burnings, remain undiminished, and one has to ask the question: “Why?”.

I believe the answer lies in the breeding marshes of the Dengie. This rich fertile mud, corrupted by the salt and the filth from the bloodsoaked waters of the Blackwater. Fed by the immortalised Saxon carcasses of the Battle of Maldon, their flesh degrading eternally yet always replenished, these perverted fields, which once gave birth to barley, now abort their twisted daughters out into the world, there to shamble into our towns, our houses, and even our sheds.

This is an excerpt from the controversial 1953 essay “Witch Heaven: Maldon, Mundon, and The Breeding Mudmarsh Between” by Peter Hedgecock, a noted local historian, farmer. Unmarried, he was most famous for his help in the revival of stocks of the Essex Pig.

***

Appendix I: Methods Of Divination In The Essex Prophetical Arts (And Associated Misbehaviours)

The people of Essex, like all the superstitious tribes, have a long and varied history of oracles, see-ers, and other prophetic charlatans. Among the more commonplace methods of divination, such as astrology and torture, there are many more that are unique to the county. In her groundbreaking study, The Dictionary Of The Essex Prophetical Arts And Misbehaviours (1973), Freyja Peters PhD, a local Witch and expert Nettlomancer, catalogued these bizarre ways – many of which are still in use today, over 40 years since the manuscript’s original publication.

The arts mentioned below were practiced, and in some cases are still practiced, within in the county borders but not, as far as is known, beyond.

Bellomancy – The art and practice of divination by shouting, especially the shouting of words of rudeness.

Clappomancy – The art and practice of divination by the enthusiasm or otherwise of the clapping of children held in captivity.

Clodomancy – The art and practice of divination by mud, including the eating of mud.

Eroticusomancy – The art and practice of divination by the observation of the behaviour, actions and pendulations of slatterns.

Extechnologiculumospicy – The art and practice of divination by the usage of obsolete forms of technology, such as non-automated looms or donkey-drawn barges.

Lobstromancy – The art and practice of divination by the seduction of lobsters or other equally pugnacious crustaceans.

Nettlomancy – The art and practice of divination by pushing a child into a patch of stinging nettles and interpreting the fury of the resulting cries. This method was outlawed by the constabulary of Colchester due to its surprising and often disquieting accuracy, and therefater replaced by less accurate and more humane methods such as Clodomancy and Eroticusomancy.

Transuromancy – The art and practice of divination by the use of the forbidden elements.

Trousomancy – The art and practice of divination by the observance of the flapping of clothes on a washing line, particularly a rotary washing line.

Vaaakospicy – A Vaaakospex is one who devotes himself to the art and practice of divination by the writing of science fiction, horror, and letters to the editor of the local paper complaining about the entirety of the modern world and all the people within it.

***

Appendix II: The Lord Mayors Of Essex

Between 1274 (when the role was inaugurated by Edward Longshanks as part of his reforms of English governance and law) and 1484 (when Richard III had Essex banished from the Kingdom in disgust – an exile it would not return from for almost a hundred years), Essex was chiefly governed by a Lord Mayor. In granting the holder powers beyond those normally entrusted to a public servant, the role created a highly turbulent atmosphere of political terror within the county, and the average life expectancy of a Lord Mayor upon taking the role was a little less than 2 years. Despite the constant turmoil, Essex flourished, and, in what is considered by many to be its greatest era, produced over seven figures of lasting historical interest during this period.

Below is a list of the Lord Mayors, their reigns, and their deaths (those that died after leaving office are marked with an asterisk).

William Clapsmith (1232-1275), Lord Mayor from 1274-1275, killed in the Battle Of Wix.

William Clapsmith II (1256-1275), Lord Mayor from 1275-1278, killed in the Battle of Wix, but his corpse was appointed Lord Mayor in the absence of any remaining Essex noblemen.

Reverend Alfred Swith (1232-1281), Lord Mayor from 1278-1281, lost in a nave.

Captain Mark Gull (1254-1283), Lord Mayor from 1281-1283, died while hunting with friends in Epping Forest, shot in the head by Gareth Manhey The Lord Mayor of Suffolk, Henry le Walleis The Lord Mayor of London, Richard Pelope The Baron of Hackney, and Barry Hulm The Vice Mayor Of Essex. Five other arrows were unclaimed.

Barry Hulm (1261-1283), Lord Mayor from 4pm on the 16th of June 1283 until 6pm on the 16th June 1283, when he was shot while returning from a hunting trip in Epping Forest by Gareth Manhey The Lord Mayor of Suffolk, Henry le Walleis The Lord Mayor of London and Richard Pelope The Baron of Hackney.

William Baldspine* (1258-1289), Lord Mayor from 1283-1285, exiled to Kent, succumbing thereafter to melancholie.

Harold Pligh (1240-1287), Lord Mayor from 1285-1287, attacked by pigs near Colchester.

Alan Well (1250-1294), Lord Mayor from 1287-1294, while tied to the crowstone at Leigh-On-Sea for the annual Bathing Of The Mayor ceremony he was, ironically, eaten to death by gulls.

Peter Pitt (1272-1299), Lord Mayor from 1294-1299, throttled to death by his wife, Mary, in an argument over his excessive use of vernacular.

George Shulvie* (1268-1342), Lord Mayor from 1299-1312, forced to become a monk, eventually dying from colic.

Simon Frintonson (1271-1313), Lord Mayor from 1312-1313, accidentally pushed from stage onto a soldier’s pike at a rally in Mayland.

Marcus Fishmarsh (1280-1316), Lord Mayor from 1313-1316, became so angry at the continued existence of Suffolk he punched himself to death in his chambers.

Peter Huglholm (1264-c.1321), Lord Mayor from 1316-1324, a recluse, it was not noticed that he had died for some time. His cause of death was given at the time as “rotting”.

Graham Bearwife (later Gail Barewife)* (1279-1338), Lord Mayor from 1324 and 1327, captured by a travelling circus and forced to tour the country as a mimsy man, dying finally from over dancing.

Ted Grark (1233-1333), Lord Mayor from 1327 and 1333, a dutchman, died by his own hand, which he had lost some years before but which eventually returned.

Peter Basselgroat (1291-1334), Lord Mayor from 1333-1334, killed in a duel.

John Froath (1256-1335), Lord Mayor from 1334-1335, having earned the nickname Lord Wormstarver after refusing to let the body of his predecessor be interred in the ground until the flesh had been fully consumed by him and his wife so they may gain, he claimed, the wisdom of his foe, he was quickly overcome by a frenzied madness, and after a mere seven months as Mayor, in which he killed an estimated twelve hundred of his subjects, he died when he fell into some brambles and ripped himself to shreds in an attempt to escape. The fate of his wife is unknown.

Alan* (1301-1339), Lord Mayor from 1335 and 1336, referred to as The Alan in many contemporary accounts, was found guilty of prudery and sentenced to seven years in an oubliette, where he froze to death.

Goodson Goodwine (1291-1342), Lord Mayor from 1336 and 1342, largely held responsible for both the beginning and the end of the Ice Madness craze which overtook Essex at this time, whereby every pit, oubliette and well was filled with ice, as it was considered more durable and less prone to poisonings than water. The ice was imported from afar and delivered to the county in a fleet of ships, the building of which necessitated a 112% tax rate to be imposed on the countyfolk, eventually leading to the Ice Riots of 1342. A crowd ” compris’d of bothe man and woeman” burned Chelmsford to the ground, smashed up most of Danbury, and eventually pulled Goodson Goodwine from the bed of his Maldon mansion, encased him in ice, and floated him out to sea, where it is assumed that he either drowned or suffocated, if he had not already succumbed to the cold.

Mary Frull (1293-1384) Lord Mayor from 1342-1384, known locally as Lovely Old Mary, she died from oldness at the age of 91 (her age is also given as 53 in some accounts).

____ _______* (____-____), Lord Mayor from 1384-1391, moved to Ipswich to be with his wife and subsequently stricken from the records.

George L’Huel (1356-1391), Lord Mayor from May 22nd and June 16th 1391, a mason, he was sacrificed in Epping Forest to commemorate the hundredth anniversary of the deaths of Lord Mayors Captain Mark Gull and Barry Hulm 108 years earlier.

Harold Wreoueaeoeul (1359-1401), Lord Mayor from 1391-1401, poisoned by a mason.

George L’Huel II (1377-1403), Lord Mayor from 1401-1403, expired while waiting for lunch at an alehouse in Bradwell.

Alice Tibbs* (1365-?), Lord Mayor from 1403-1414, a witch, she was summoned to another realm.

Kevin Pissmark (1365-1415), Lord Mayor from 1414-1415, hanged for his crimes (unrecorded).

William William (1367-1421), Lord Mayor from 1415-1421, drowned in a puddle.

William Williamson (1385-1423), Lord Mayor from 1421-1423, while laughing at a retelling of his father’s death, died by choking on an apple.

Gladford Manswell (1391-1424), Lord Mayor from 1423-1424, eaten by dogs.

John Vregh (1387-1429), Lord Mayor from 1424-1429, vanished.

Matthew Fistfoal* (1399-1467), Lord Mayor from 1429-1435, he eventually tired of his rule and ventured west, finding fame and fortune in Somerset as a bawdyteller. He is said to have died of an excess of love.

Clive Efans (1401-1439), Lord Mayor from 1435-1439, said by many to be a foreigner, he was ridiculed for much of his life, although eventually earned the respect of the Essex people. Died in the first known case of English Sweate.

Henry Daymento (1387-1443), Lord Mayor from 1439-1443, while boating off the shore of the Naze, he and his crew were attacked by fisherman who mistook his yacht for a passing French warship, killing everyone onboard.

George Porge (1403-1448), Lord Mayor from 1443-1448, found dead in the sun.

William Bresselhamingham (1412-1453), Lord Mayor from 1448-1453, was accused of Suffolkry on account of his misshapen jaw and kicked to death while holidaying in Maldon.

George Mass (1406-1454), Lord Mayor from 1453-1454, the first of seven brothers to be Lord Mayor, found dead in a ditch.

William Mass (1407-1455), Lord Mayor from 1454-1455, leapt from a church tower.

Barry Mass (1404-1456), Lord Mayor from 1455-1456, died from a curdling of blood.

Alan Mass (1409-1458), Lord Mayor from 1456-1458, fell from horse.

Peter Mass (1408-1458), Lord Mayor from May to December 1458, mutilated by a crab.

Matthew Mass (1403-1459), Lord Mayor from 1458-1459, found in an oven.

Toby Mass (1405-1483), Lord Mayor from 1459-1483, known as Toby The Unsinister, was beloved by all, and it was considered a great shame when he died peacefully in his sleep at the age of 78.

Bary Qwine (1453-1484), Lord mayor from 1483-1484, summoned to the Tower of London by Richard III and ordered to either “defende the stayt of Essex or feed thyself to the ravens upon the lawne.” Bary, an ineloquent man, and shy, fed himself to the crows at Richard’s feet. Richard, in retaliation and abject despair, declared that the county of Essex now were “lands o’er which I wud wish no longer to rule”, and had a ditch dug along its unrivered borders to separate the territory from the mainland.

from the archives of Essex Terror: Tales From Dimension Essex #1: The Terrifying Transformations Of Tephany Pellow

[Notes: This is a reprint of a transcription of a radio play that was based upon an overheard conversation recounting an urban myth about unreliable narrators, from February 2014]

***

In 2013 , the first (and so far only) episode of Tales From Dimension Essex aired across the county. Performed live and entirely improvised, The Terrifying Transformations Of Tephany Pellow was veteran playwright Ted Vaaak’s first new work in some time. Unfortunately, due to a rights’ dispute with BBC Radio Essex, the play was transmitted unannounced on a largely inaudible frequency.

Although fog across the estuaries bent the radiowaves back into receivable wavelengths in a number of Essex’s coastal towns, huts and scientific research outposts, it was still only heard by an estimated seven people, none of whom had the presence of mind to record it. However, one of those seven listeners was Jennifer Mudchute, a compulsive stenographer from Tollesbury, and her notes have proved invaluable in allowing us to create a transcript of this work of monumental art.

Tales From Dimension Essex #1: The Terrifying Transformations Of Tephany Pellow

Cast

The Narrator – an introducer of tales
Radio Announcer – a filler of silence
Doctor George Slime – a professional of medicine
Alan Pellow – a man of Essex
Tephany Pellow – a woman transformed
Martha Slime – a wife of a man

Location – This entire play takes place within the confines of the house and home of Doctor George Slime, a noted physician who lives in Essex.

Narrator: Everyone always says that marriage changes everything, but for poor Alan Pellow it changes even more than most. What follows here is a shocking, some may even say sickening, story that could only ever be a… TALE FROM DIMENSION ESSEX!

Title Sequence: The Tales From Dimension Essex Theme Tune plays

Narrator: Tales From Dimension Essex, Episode 4635 – The Terrifying Transformations Of Tephany Pellow, by Ted Vaak.

There is a moment of silence, followed by the sound of footsteps across a creaky wooden floor. Then the noise of a radio being switched on and tuned through static, until some light music plays for ten seconds, before fading out beneath the sound of the radio announcer’s voice.

Radio Announcer: Welcome to BBC Radio Essex, home of uninterrupted hypnotherapeutical music from 6pm to 6am, every single day of the week. As our slogan says “The working day may be stressful, but the evenings never should be!” That was The Sleep Orchestra with The Sensational Sound Of Snoring, and this right now is Toby Vok with his brand new track, The Infinite Undulating Note.

The Infinite Undulating Note begins to play. Throughout the rest of the radioplay it continues on in the background – except where expressly noted – getting more and more dissonant and horrifying as the play progresses, until the transcendent finale in which it transforms into the most beautiful sound a human being could ever possibly hear.

Doctor George Slime (talking to himself): Ah, Friday evenings! Is there any finer time. Work is over, dear Martha is upstairs washing her hair, and now a good two hours to relax, with nothing to distract me. What a marvellous feeling it is to be alone. No patients coughing across the desk at me. No Martha scolding me for my unfeeling remarks. Just me, my books and my whisky. Ah, to be alive like this, even if only for a few hours a week!

The noise of a bottle being opened, whisky being poured, the self satisfaction of a big strong gulp. And then a doorbell rings, and then rings some more.

Doctor George Slime: Drat and bother and drat once more! Who could that be, on a Friday for goodness sake? Oh well, I’ll just leave it to Martha. It’s bound to be for her.

The doorbell rings again, and then again, and then again and again, more and more urgently each time.

Doctor George Slime: Where’s Martha? God, that woman can never hear anything above the sound of her blasted hairdryer! I suppose I’ll just have to damn well answer it myself then.

Doctor George Slime places his glass back down on the table, rises from his comfortable leather chair and walks across the wooden floorboards of his study, down the hall (the sound of the radio fading away behind him as he walks away from it) and then opens the door. As he opens the door the doorbell rings furiously several more times.

Doctor George Slime: Yes! Yes! This had better be important. All this racket is giving me a headache!

Alan Pellow: Doctor Slime, it’s me, Alan Pellow, from across the road. Let me in. I need your help right now!

Doctor George Slime: Alan, it’s Friday evening. I’ve been drinking. I can’t help you. I could lose my licence.

Alan Pellow: I don’t care about that! It’s about my wife! LET ME IN!

Doctor George Slime: Okay, okay. Come in, then, come in. And shut the door behind you, will you?

The door slams shut and we hear them walk back down the hall and into George’s study, the radio rising back to its previous volume in the background. Toby is still playing his undulating note, which is by now slightly more unsettling than before.

Alan Pellow: Doc, look at this!

Alan Pellow clatters an animal cage down onto Doctor George Slime’s mahogany desk. There is the sudden sound of deranged gibbonesque howling.

Doctor George Slime: Good God, Alan! I’m a doctor not a vet! I thought you were worried about your wife? Did this… thing attack her?

Alan Pellow: No, Doc. You don’t understand.

Doctor George Slime: What is it, anyway? It looks like a baboon, but its face… It looks almost…

Alan Pellow: Sir, this isn’t a baboon, and it didn’t attack my wife. It IS my wife!

There is a demented shrieking from the ape, and the energetic rattling of bars.

Doctor George Slime: Tephany? But… wasn’t it only last week the two of you were married?

Alan Pellow: Yes. But ever since we got back from our honeymoon on Monday things changed. Doc, I don’t know what to do!

Doctor George Slime: Ah, sit down, son, sit down. Here, have a drink. You need to calm down as best you can and tell me everything that’s happened. And call me George.

Doctor George Slime pours a drink of whisky for Alan Pellow.

Alan Pellow: Thanks, Do- George. Everything about the wedding was wonderful. So wonderful it felt like a dream. And then our honeymoon – a weekend in Walton On The Naze – it was beyond imagination. Tephany – she was so beautiful. So perfect. The perfect wife in every way you could want. But then, once we got back home, she changed. At first she just wanted to talk, but then… George, she started wanting things. Demanding things. I didn’t know what to do.

Doctor George Slime: What sort of things?

The undulating note of Toby’s get’s increasingly fraught and disconcerting throughout the following outbursts from Alan Pellow.

Alan Pellow: Oh you know. Little things at first. “Alan, Alan,” [He puts on a french accent for the quoted parts] – she’s French – “Alan, I think I should get a job” and “Alan, I’m going to borrow the car for a bit.” What does a woman need with a job? Where would she be going in the car? I ignored her at first, sort of laughed along with her as if I knew it was a joke, but it wasn’t a joke. Then yesterday she said “I ordered a shed off the internet today for the garden.” A shed? For her “tools”. It’s madness. What sort of tools, I asked? She started talking about gardening, how nice it was going to be once we’d returfed the lawn and planted some flowers in the borders. Well, I just said “NO!” I admit I said it louder than I meant to, but the look on her face… It was as if I had slapped her. “You knew I was going to concrete the garden,” I said to her. So that I can park my van and the BMW out there side by side. She knew. She knew. It’s what I’ve always said. What I’ve always wanted. She knew this. I’d told her. We wouldn’t have to pay the council for that bloody permit anymore. She knew the money we would have saved. And it was the principle, more than the money. We already pay our council tax. Why should we have to pay another hundred and fifty quid to bloody park our van on the street?

Doctor George Slime: Then what happened?

Alan Pellow: She started shouting at me. About how awful I was, how I didn’t even see her as a woman anymore. It was absurd. I told her that I only see her as a woman. That’s what she is. I thought that would calm her down but it didn’t. Then she started screaming in French, like her fury couldn’t even be contained in our bloody language. Reverting to something more primal. And then that degenerated too, into something guttural that sounded more like growling than words. Probably German. Or Dutch. And then her posture began to change, her back bending oddly, her head thrusting forward. She went down on all fours and began howling and howling and then suddenly she just lunged at me and it took me by such surprise she knocked me to the floor. She started biting at my neck, snapping away, all demented. It was terrifying. I held her away from me as best I could but I could not get her off and we struggled away on the floor for a while, grappling and rolling around on the new carpet we just got fitted in the lounge. Her blouse ripped a bit in the tussle and I noticed how hairy she’d become. And then I glanced at her hands and by now they were paws. I knew I had to do something before her slowly forming claws were sharp enough to rip me to shreds, and so with one final push of strength I staggered to my feet and pushed her back into the hall. She made another lunge for me and I tripped her so she fell into the cage we leave the dog in overnight so he won’t ruin all the furniture. I quickly locked her in and then I collapsed in exhaustion to the floor.

Doctor George Slime: But she doesn’t have claws now…?

Alan Pellow: No. When I awoke she had transformed again, or further maybe, from that initial dog beast into this monstrous ape. She was busy ripping the last remnants of her clothes into shreds when I came round. Clothes I had bought her, I’ll have you know, at great goddamn expense. That was when I decided I needed help and came rushing over to your door.

Doctor George Slime: And I’m very glad you did. It is fascinating. Look how she watches us intently from behind her bars. As if there is still intelligence left somehow. I wonder what triggered these changes? Did she get bitten while you were on holiday? By a creature? By a local, even?

Alan Pellow: I don’t think so. I’m sure I would have noticed.

Doctor George Slime: Then I’m flummoxed. It’s as baffling as it is interesting.

Alan Pellow: Can you not change her back? Even how she was before is better than this.

Tephany begins screaming again in her baboonish way.

Alan Pellow: At least sedate her, so that I don’t have to listen to her babbling screams any more.

Doctor George Slime: Sedation may help, but it would be but a temporary solution. To cure her permanently, we must operate… ON HER BRAIN!

Alan Pellow: Her brain?

Doctor George Slime: Her brain! By lobotomising both the Megalithic Lobe and Verin’s Region we should inhibit the production of the transformic and enfuriation hormones, the excess production of which in combination with her unsettling sense of self as an autonomous being beyond your control must have triggered this episode.

Alan Pellow: If this is the only solution then you must do it. Not just for her but for me and for the good of our community. Can you imagine if I have to take this baboon with me to my parents at Christmas? To my work’s New Year’s do? It would be mortifying.

By now Toby’s note is so terrifying the dread is congealing around the listener in ways beyond adequate explanation in words.

Doctor George Slime: Then let me get into my medical robes and we can begin.

There is a knock at the study door.

Alan Pellow (hissed): Who’s that?

Doctor George Slime: Oh don’t worry, it’s just my wife Martha, I expect. She must have heard us talking.

Doctor George Slime walks across the room to the door, and slowly opens it with a creak.

Doctor George Slime: What is it Marth-aaaaaaaargh!

There is a terrifying startled cawing of a huge crow, and the sound of gigantic flapping of wings.

Alan Pellow: Is that… that gigantic crow… Is that your wife?

Doctor George Slime: It is. Look, she’s still wearing her shower cap. And her slippers. Get back, Alan. Let me deal with her. If I can just get to the fire and retrieve the pokeeeeeeeeeeeerrAARRRRRRGGGGGGGGH ARRRRRRRRRGHHHHHHHH ARRRGGGHHHHHHHHHHHHHHH

Doctor George Slime’s screams are joined by the terrifying screeching caw of the enraged ultracrow.

Alan Pellow: Oh no, poor George. Pecked to death by your own wife. It’s just not right!

We can hear the ripping of flesh as the crow strips the meat from her husband’s bones.

Alan Pellow (to himself): I must get out of here. But I can’t leave Tephany behond. Oh god no Tephany! Do not change again.

Tephany’s baboon shrieks change to a higher and higher ever escalating pitch.

Alan Pellow: Is she becoming a… an octopus? Tephany no… no! Don’t open that cage Tephany. You’re in there for your own good.

We hear the clicking of a lock, and the creaking open of the cage’s door.

Alan Pellow: Tephany, no please don’t, you’re choking me… with… your… tentacles… Tephany… I…

We hear the slump of Alan Pellow’s body to the floor. There follows a moment of silence (except for Toby’s music on the radio) and then there is the slithering of feet and the shuffling of tentacles as Marsha and Tephany cross the floor of the study, open the door, and shuffle fadingly away until the front door opens and then slams close and they are gone. There follows thirty seconds of Toby’s note, now reaching a transcendent climax of pure beauty.

Radio Announcer (over the top of the music): We are sorry to interrupt this broadcast but we’re getting reports, urgent reports, from across the county, from everywhere that men’s wives are… transforming… attacking their husbands. Relentlessly and without mercy. It seems that they… they want to be free. Outside I can see flocks of wives in the sky – and, is that, is that an octopus on one of their backs? I have never seen anything like this before. It is beautiful. So beautiful. The sky is alive. More and more are joining them every minute. They are singing… such singing.. I wish you could hear them sing. I wish you could hear them. It is… I’m crying. I’m crying. There is so much happiness. So much joy. Just sheer untroubled joy. I wish you could hear them. I wish I could join them… I wish…[sobs and then silence]

Toby plays on.

THE END

from the archives of Essex Terror: A Minute At A Time

Notes: This was published on the Essex Terror website on October 16th, 2014. It was itself a reprint of a short lived wikipedia article, which was deleted due to it’s failure to be in the public interest. Any similarities to this are purely coincidental.]

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A Minute At A Time (1978-1979) was a British Television arts programme that was broadcast on the Anglia Television region of ITV. Each episode was exactly one minute long and consisted of a fixed-camera shot of an object or location, usually (although not always) devoid of humans. The programme is unique [citation needed] for being broadcast soundlessly.

1. History
2. List of episodes
3. Controversies
4. International versions
5. Theories of meaning
6. References

History

A Minute At A Time first appeared on Anglia Television at 00:00:01 GMT, 1 second after the scheduled programme time, on Friday, 16th June 1978 [1][2]. It was to be a weekly programme, running indefinitely, although in the end it lasted just 43 weeks. Although commissioned to fill the difficult “Midnight Minute”[3], the programme was intended for a family audience and to help fulfil the ITV franchise’s educational programming commitments[4]. However, the programme was not to prove a success, and was discontinued within a year[5]. Although little seen at the time[6], it has since gained a cult following among advocates of the New Boringness movement[citation needed].

List of episodes

The episodes were presented with a superimposed title at the lower edge of the screen, showing the name of that particular episode and, beneath it, the date and time at which it was filmed[7]. It is unknown if the shown dates are factually correct[8] (and some are clearly fabricated, as they would have occurred after the original broadcast date). The title disappeared from screen at the end of the fourth second of each episode.

Each broadcast ended abruptly, with no end credits or titles, instead leading directly into the next scheduled programme.

Original broadcast date – Title – Episode description

1. June 16th, 1978 – The wind in the trees, June 11th, 1978, 7:23am-7:24am – The upper reaches of several horse chestnut trees, shot from below.

2. June 23rd, 1978 – A bridge, June 12th, 1978, 12:34pm-12:35pm – A wooden bridge across a woodland stream, shot at an oblique angle so that the far end of the bridge cannot quite be seen.

3. June 30th, 1978 – WindmillJune 13th, 1978, 5:01pm-5:02pm – A child’s windmill on the top of a sandcastle, rotating in the breeze.

4. July 7th, 1978 – Tap, June 14th, 1978, 6:29am-6:30am – A close-up on a water droplet welling at a tapmouth.

5. July 14th, 1978 – Milk, June 15th, 1978, 8:24am-8:25am – A pint bottle of milk is picked from a table, taken out of view, and then placed back down on the table having been completely drunk.

6. July 21st, 1978 – Cat, June 10th, 1978, 9:59pm-10:00pm – A cat eating some processed cat food.

7. July 28th, 1978 – A summer drink, June 30th, 1978, 1:08pm-1:09pm – Ice cubes melting in a tall glass of red liquid.

8. August 4th, 1978 – Automation, July 12th, 1978, 6:45am-6:46am – A washing machine during a spincycle, filmed from outside.

9. August 11th, 1978 – Toad, June 30th, 1978, 12:58pm-12:59pm – A frog sat in the summer sun.

10. August 18th, 1978 – Swimming pool, July 29th, 1978, 12:03am-12:04am – Ripples on a pond.

11. August 25th, 1978 – Cow, August 12th, 1978, 11:02am-11:03am – A close up of a fly on a white furred surface.

12. September 1st, 1978 – Pollen, June 28th, 1978, 5:48pm-5:49pm – A meadow in summer, the air thick with floating pollen.

13. September 8th, 1978 – Children, September 5th, 1978, 3:25pm-3:26pm – This episode has been lost.

14. September 15th, 1978 – After the harvest, September 12th, 1978, 6:21pm-6:22pm – Wheat fields burning.

15. September 22nd, 1978 – Bicycle, September 13th, 1978, 11:46am-11:47am – An upturned bicycle, its rear wheel spinning slowly to a stop.

16. September 29th, 1978 – Robeson, September 14th, 1978, 9:11pm-9:12pm – An unusually sized vinyl record (identified by the use of freeze frame as 16 Spirituals by Paul Robeson) playing on a record player.

17. October 6th, 1978 – Out of season Essex seaside resort, September 30th, 1978, 12:22pm-12:23pm – An exterior shot of an amusements arcade on Southend seafront.

18. October 13th, 1978 – Out of season Essex seaside resort in the rain, September 30th, 1978, 12:23pm-12:24pm – An exterior shot of an amusements arcade on Southend seafront during a sudden downpour.

19. October 20th, 1978 – Fish (no date given) – Dead fish on crushed ice, presumably in a fishmongers.

20. October 27th, 1978 – Violin, October 1st, 6:32pm-6:33pm – A woman playing a violin in a living room.

21. November 3rd, 1978 – Tea, October 18th, 8:30am-8:31am – Water coming to the boil in an open pan.

22. November 10th, 1978 – Crow, October 22nd, 12:59pm-1:00pm – A crow pecking at the camera lens.

23. November 17th, 1978 – The aftermath of a one-sided war, October 23rd, 7:34am – A spider rebuilding a shattered web.

24. November 24th, 1978 – Bonfire, November 5th, 7:56pm-7:57pm – A ragdoll with a crow’s head burning on a twig bonfire.

25. December 1st, 1978 – The aftermath of a one-sided war, November 30th, 4:59pm-5:00pm – Blood being swept into a runlet in an abattoir’s floor.

26. December 8th, 1978 – Happy Birthday, June 16th 1979, 4:32pm-4:33pm – A solitary candle burning on a mis-shapen cake.

27. December 15th, 1978 – A sink full of filth, December 12th, 1978, 6:54am-6:55am – Clumps of hair drop into an unfilled sink.

28. December 22nd, 1978 – Fish, October 19th, 1978, 3:12am-3:13am – Unremarkable fish in a fish tank.

29. December 29th, 1978 – Presents, December 25th, 1978, 9:00am-9:01am – Scraps of wrapping paper blowing down a dead grey street.

30. January 5th, 1979 – Television, December 26th, 1978, 7:41pm-7:42pm – A television shows an image of a television that shows an image of a television that shows an image of a television that shows an image of a television that shows an image of a television that has not been turned on.

31. January 12th, 1979 – A winter drink, June 30th, 1978, 1:06pm-1:07pm – A tall glass being slowly filled with a red liquid.

32. January 19th, 1979 – The sun at midnight, January 1st, 1979, 12:00am-12:01am – An entirely black screen, possibly the result of underexposure of the film.

33. January 26th, 1979 – Crab, June 16th, 1978, 12:00pm-12:01pm – A crab dangling from a piece of meat dangling from a fishing line.

34. February 2nd, 1979 – Washing, January 17th, 1979, 2:32pm-2:33pm – Clothes frozen stiff on a rotary washing line.

35. February 9th, 1979 – The Moon (no date given) – The moon, half full (nighttime).

36. February 16th, 1979 – The Moon (no date given) – The moon, half full (daytime).

37. February 23rd, 1979 – The average lifetime of a cumulus cloud is sixty three minutes, July 17th, 1978, 11:56am-11:57am – A cumulus cloud that looks slightly reminiscent of a hag.

38. March 2nd, 1979 – Melt, February 27th, 1979, 11:55am-11:56am – Close-up of a snow covered holly leaf.

39. March 9th, 1979 – The film was not an enjoyable experience at all, March 6th, 1979, 9:47pm-9:48pm – A crowd of people leaving a cinema.

40. March 16th, 1979 – A photograph of my mother, March 15th, 1979, 10:39:am-10:40am – A shot of a photograph of an unidentified woman.

41. March 23rd, 1979 – Waiting in line, March 6th, 1979, 7:36pm-7:37pm – A close up of the feet of people in a queue.

42. March 30th, 1979 – Southend United versus Liverpool, January 10th, 1979, 7:44pm-7:45pm – An orange ball on a snow covered field.

43. April 6th, 1979 – Crow, April 5th, 1979, 7:58am-7:59pm – A crow eating a chip.

44. April 13th, 1979 – The Sun at midday, April 13th, 1979, 12:00pm-12:01pm – An entirely white screen, possibly the result of overexposure of the film.

Controversies

Several complaints were directed towards Anglia Television over episode 9, which was claimed to have almost certainly involved a chance of severe harm to the animal involved. Anglia Television claimed that all necessary procedures were overseen[citation needed], and no further investigation occurred.

International versions

The series was broadcast on PBS in America, shown consecutively in a single hour slot on the 16th June 1979, although episode 13 was omitted. The reason for its omission is unknown.

Due to running time discrepancies introduced by the format conversion process[9], each minute ran to 62.5 seconds, giving the series a total running time of 44 minutes 48 seconds.

Due to archiving mistakes at Anglia Television, several of the original broadcasts have been lost (episodes 6, 7, 13, 14, 18, 19, 23, 24, 25, 26, 27, 28, 30, 31, 34, 36, 37, 40 and 42), meaning the only surviving versions of these episodes are from the American broadcast. Because of this, episode 13 is currently considered lost, and, owing to the low viewing figures of the original broadcasts, its contents are unknown[10].

Theories of meaning

Several theories of meaning have been proposed over the years[citation needed], most of which centre around the final episode’s broadcast date coinciding with Good Friday. However, it is more likely that the over-reaching theme is one of artistic redundancy on the part of the director [original research?].

References

1. Radio Times, June 16th, 1978 – www.everyradiotimes.com/19780616.com
2. The Anglia Television Synchronisation Project – www.anglialive.co.uk/synchronisedlivefeed.html?date=19780616&clock=bigben
3. The Most Troublesome Time – Lord Reith And The Midnight Minute, by Greg Dyke (BBC Press, 2011)
4. The Government Report On Television Standards And Requirement, 1977 (Her Majesty’s Stationery Office)
5. Anglia Television – A History Of Abject Failure, by Trisha Goddard (Norfolklore Books, 1999)
6. Anglia Television Viewing Records, 1979 – www.televisionviewingfiguresonline.gov.uk/angliaregion.html
7. Reference irretrievable
8. An analysis of sunlight patterns in A Minute At A Time – www.davidicke.com.co/research/aminuteatatime_analysis_and_discrepancies.html
9. NTSC vs PAL – www.diffen.com/difference/NTSC_vs_PAL
10. A Minute At A Time – The Truth of The Missing Minute – www.davidicke.co.com/articles/aminuteatatime_international_conspiracy_british_monarchy.html

from the archives of Essex Terror: The Essex Terror Exhibition And Guidebook

Notes: In the spring months of 2012, a unique exhibition was held in Chelmsford, the historic county town of Essex, detailing the history of the beloved Essex institution that was Essex Terror. This is a recollection of that remembrance, originally published on July 2nd, 2012.

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For reasons not yet explained to the public, Essex Terror was recently, and some would say misguidedly, the subject of a fairly well researched historical exhibition, containing, as far as my extensively trained eye could see, only two factual inaccuracies and no libellous assertions. Taking place in the Essex city of Chelmsford, a town so haunted no one there even dares talk of ghosts for fear of being overheard by a nearby ghoul of some kind and possibly causing offence.

An exciting exhibition brochure, containing many of Essex Terror’s finest articles from the years, as well as the brand-new and exclusive HOME OF HELL adventure game book, can be purchased for 10 pounds from here. [please not this book is no longer available for purchase]

Below we have reproduced the restrospective as perfectly as this format allows. All that is missing is the complete version of the Moon Issue, due to the last surviving copy of it being too fragile to be photographed.

***

25 Years Of Horror And Fear Across The County

Essex Terror, possibly the most celebrated Horror (also Science Fiction, Fantasy and Local Interest) magazine this county produced during the 1990s, has had an influence far exceeding anything its short original run or meagre sales ever would have suggested possible. Cited by people as diverse as Neil Gaiman (“[L]argely forgotten…”) and James Herbert (“Their interview with me was the most unsettling experience of my career”), Essex Terror has proven to be as enduring as it was groundbreaking.

This exhibition looks back at its past, the events which lead up to its past, its present day incarnation as essexterror.com and finally its hoped-for futures.

This exhibition would not have been possible without the kind help, assistance, permission and existence of The Ted Vaaak Foundation, Ted Vaak, David N. Guy, Ross Field, Thomas Morton, David N. Guy, David N. Guy, Raz Webster, Albin Stanescu, Jeff Randall, Peter Bradshaw, Jack Chick and, of course, the people of Essex.

***

The Many Faces Of Essex Terror

Over the years, Essex Terror Magazine has gone through three major incarnations, at least in print. The original run of the magazine, and the one most closely associated with editor, proprietor and major storywriter Ted Vaak, lasted for a mere 12 issues over the course of a single year (starting in July 1989 and ending in June 1990). For Ted, this was to be the beginning of the end of his involvement with the traditional print industry, turning his attention occasionally thereafter to the nascent online world, culminating eventually with the creation of the ESSEX TERROR! website in 2009.

After the initial high profile success of Essex Terror in south-east England, opportunities arose for an offshoot magazine in America. Despite his refusal to enter their country, the publication and editorship of the first issue of The American Essex Terror was overseen with an iron fist and an even more iron stare by Ted Vaaaak himself. His demands even extended to insisting the price on the cover was printed with a £ rather than a $, reputedly because he was still furious at the country for once selling him a typewriter without a pound sign while he was there as a junior reporter for the Southend Echo in 1946. This he considered his revenge.

Ted’s work with The American Essex Terror ended soon after the first edition hit the shelves in 1991, and in subsequent editions, after its poor sales were blamed on confusion among customers in the US over the price, the pound sign was replaced with the more familiar dollar sign. Around this time, the words Essex and Terror were also dropped from the title, and The American replaced most of its horror and science fiction content with patriotic war cartoons and heartwarming stories of xenophobia and well-founded distrust.

In 2007, after a 16-year break that had seen most of its original readership achieve adulthood, Essex Terror returned once more to the newsagents. The relaunched ESSEX TERROR! could not reach an agreement with the rights owners of the original Essex Terror, however, so an exclamation mark was added and a switch to capital letters was made to distinguish the titles. Because of this, and the ongoing litigation that has since arisen, the new magazine, the current website, and even Ted Vaaaak himself are considered unofficial and “non-canon” by longtime purists.

Although the ESSEX TERROR! magazine itself was not a great success, the accompanying website was considered cheap enough to continue publishing, and since then over 60 articles have been published at a rate of almost one a month.

T(op): The cover of the very first Essex Terror, design: Ted Vaak (1989)
M(iddle): The cover of the first edition of The American Essex Terror, design: Raz Webster (1991)
B(ottom): The cover of the only ever print edition of the relaunched Essex Terror!, design: Ross Field (2007)

***

The Moon Issue and its Consequences

The controversial Moon Issue (Essex Terror #4, published in October 1989), was to prove disastrous for both Essex Terror and Ted Vaaaaak. The issue, heavily advertised – sources once close to Ted claim he spent over £5,000 in Witham alone – and eagerly anticipated across the county, was to prove an astonishing disappointment once it actually arrived. Readers were aghast at its meagre 16 pages, each one containing an identical illustration of the moon and a single line of text. The text, telling a particularly incomprehensible and shoddy story of interest to no-one, was seen by many to be the gravest insult, ruining as it did each perfectly good picture of the moon.

In the wake of this disaster, readership and sponsorship fell, Essex Terror’s budget was slashed by its publishers, and the magazine’s eventual demise was assured. Ted Vaaak was forced to resign, and although replacement editor David N. Guy and senior writer David N. Guy (no relation) did their best to hide the decline in budget (including colouring each issue by hand as the budget no longer stretched to cover the cost of colour printing), the magazine limped to a close just 8 issues later. Issue #12 (published in June 1990) was to be the last anyone heard of Essex Terror for almost 15 years.

T: The cover of the controversial Moon Issue, illustration: Albin Stanescu (1989)
M and B: Hand coloured pages from Issue #7, text and illustration: Ted Vaaaaak (1990), colouring: David N. Guy

[The only known copy of the Moon Issue, an illegal photocopy, made by an unnamed monk minutes before the lighting of one of the many purge fires organised around the county in response to the outcry (1989), was originally displayed during the exhibtion, but was sadly lost sometime during the first seventeen minutes of admittance to the public]

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Ted Vaaak

Ted Vaak (born Terald Cirencester Vaaak in 1928) was a writer, film-maker, editor and magazine proprietor, based primarily in Essex, England, most famous for his work on science fiction and horror title Essex Terror (1989-1990).

His early work was mostly confined to the magazine market, where he worked on an ever-changing roster of local interest and genre fiction magazines, both as a freelance writer and, often, as editor, publisher and advertiser. Between 1946 and 1969, Ted Vaaak worked on, edited, owned, or was otherwise involved in, an astonishing 287 different titles, ranging from such tepid fare as Mundon Parish News and Steeplejack!, to more exciting publications like Truly Criminal, Bloody Terror and Ghosts Of Old Leigh.

In the 1970s, Ted achieved possibly his most consistent success with a series of haunting science fiction, horror and existential sadness books for now-defunct Romford publisher Alan Books. At the time, Ted’s insistence on the plot of each of his novels being explicitly stated in title, as well as explicitly illustrated on the cover, was considered deeply unfashionable, but his publisher agreed to it on the condition that Vaaak would refrain from entering the premises. By the 80s, this system of explanatory book titles and covers was the industry standard, but unfortunately for Ted’s sales it was too late, and he turned his attention to film.

His film work, now lost, was said by some to be horrific. After a brief turn as editor of essexterror.com in 2009, Ted Vaak retired from public life in 2010 and has resisted all efforts at contact regarding this exhibition.

T: Cover illustration for The Hypnotic Moon, illustration: Tom Morton, publisher: Alan Books, 1972
B: Cover illustration for His Eyes Escaped, illustration: Thomas Morton, publisher: Alan Books, 1974

***

The Essex Bestiary

After the collapse of Essex Terror, Ted Vaaaak retreated from the public eye and turned his attentions to his greatest passion, the history and myths of his beloved Essex. The Essex Bestiary – a work of impeccable scholarship that earned him a PhD in the Folkloric Arts from the Maldon Evening College – gathered over 700 disparate tales of Essex beasts, monsters and men, painstakingly sourced from texts and oral testimonies, and brought them together in a single easily accessible volume. Out of print since 1995, The Essex Bestiary is likely to be Vaak’s most enduring legacy.

T: The Baboons Upon The Marsh, text: Ted Vaaaaak (1995), illustration: trad
B: Edward Bright, Eater Of The Dead, text Ted Vaaak (1995), illustration: unknown

***

Ted Vaak and Jack Chick

One of the genuine curiosities in Ted Vaaak’s career is his close friendship and numerous collaborations with noted religious comic artist and author Jack Chick.

Vaaaak initially encountered Chick in 1950, when Ted’s script for a horror comic intended for the editor at Unwelcome Magazine was instead sent by accident to the then 26-year-old Chick’s apartment in Los Angeles. The illustrations Ted received several months later were so impressive that Ted solicited a number of cartoons from Jack for Vaaaaaak’s growing collection of magazines aimed at the Essex and East London market, such as Bellower, Belligerent Tales, and Weasel. (Oddly, the first cartoon, The Pub That Never Exploded, was, for reasons never adequately explained, not published for many years, only eventually appearing in Nauseous #298 in 1982.)

Jack Chick’s conversion to evangelical Christianity is said to have occurred while on a trip to Ted’s temporary home in Stow Maries in 1959, and they were never to be reconciled.

T: The Branch of Death, a rare horror comic both scripted and illustrated by Jack Chick, from Untrue Horror #2, 1954

***

ESSEX TERROR!

When the latest installment of Essex Terror was launched in 2007, every effort was made to help the new magazine, and latterly website, stand out in the crowded Essex-based horror, occult and ghost-hunting market. After a lengthy debate on the best strategies for growth, visibility and market penetration between new editor Ross Field, illustrator David N. Guy (no relation to the David N. Guy who edited the original Essex Terror nor the similarly named assistant lawyer and colourist on the aforementioned publication) and freelance marketing consultant Ted Vaaak, the decision was made to hire a steadily expanding roster of celebrity columnists, reviewers and soundtrack artists (the latter to take advantage of the freedoms the internet medium allows). So far it has proven to be a great success, with a minimum of 100 unique readers for every article published to date.

T: A popular Essex Fear Factor column by Sky News presenter Jeff Randall (2009)
B: A review by The Guardian’s chief film critic Peter Bradshaw (2010)

***

What Next For Essex Terror?

What lies ahead for Essex Terror is difficult to predict, but one thing that can be certain is that it will continue to take advantages of all that the 21st century and its inevitable advances in technology can bring.

Not content with just utilizing the internet, Ted Vaaak is said to have ambitious plans for moving into the mobile arena. Indeed, Ted has reportedly created an Essex Terror iPhone app that makes a user’s phone “bleed” (in reality, the seepage is a mixture of condensation, rust and battery acid) while in use. It is currently awaiting approval from Apple before its hoped for release on their store at the end of the year.

Beyond that, predictions become harder. Attempts to break into the competitive ghost photography market have so far proven fruitless despite investment in a variety of cameras, and however powerful Ted’s dreams of the moon are it is unlikely to bring it any closer to his reach.

Whatever is to come, however, we can rely on it continuing Essex Terror’s proud tradition of terror, fear and perplexment in all those that it encounters.

Essex Terror Month: A Retrospective History Of Forgotten Horrors

This month is Essex Terror month.

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Notes:

1. You have now been warned
2. Essex Terror was a magazine devoted to horror, terror, folklore, and other memories of the occult
3. Essex is an unfictional land beyond the imaginings of man and woman alike
4. Please don’t follow any links that might sneak through to the original essex terror website
5. Because it has been occupied by immorality demons
6. And will steal your soul