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Notes:
1. Made between 27th February and 4th March, 2021
2. An animationless version of Worse Things Happen Out At Sea
3. For no real reason at all
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Notes:
1. Made between 27th February and 4th March, 2021
2. An animationless version of Worse Things Happen Out At Sea
3. For no real reason at all
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Notes:
1. I made this between 27th February and March 4th, 2021
2. Which was quite a long time for me
3. But worth it hopefully
4. For these precious 20 seconds
5. Also available as a never ending loop, if that’s the sort of thing you’d want:
6. It is the sort of thing I’d want
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Notes:
1. Made on February 18th, 2021
2. From a script/poem written in December 2020
3. The music is by Toby Vok
4. From his album They Came For Our Music
5. From 2009
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Notes:
1. Written, produced, animated, etc, on February 17th, 2021
2. The music is by Vom Vorton
3. And can be listened to on its own here.
This is a script/storyboard (plus some other bits) for a cartoon that I pitched unsuccessfully to the BFi for their Animation 2018 project (the winners of which are being shown on BBC Four this Sunday, and which should be brilliant).
If it had actually been made, it would have had sets built by Dan Rawlings and sound design by Chriddof, with slightly inept claymation (with wooden heads) animation by me (which was presumably the reason it wasn’t commissioned).
Also the other reason it probably wasn’t commissioned is because it is absolutely the most depressing thing I’ve ever written.
[Some of the models for this were later re-used in They Locked Me In This Room And Told Me To Confess, which was another unsuccessful submission for a thing (the Observer Short Comic Competition thing they run each year). Maybe these poor plasticine abominations are cursed in some way.]
[If you can’t read the words you can click on the image to enlarge it. If you still can’t read the writing, it is because it is illegible to all but me. I am sorry.]
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Notes:
1. Written in February and March, 2018
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