Tale #80: A Labyrinth Of Streets

The labyrinth was built over several generations, new pathways added every few years at the whims of each successive lord, until eventually the maze was so large and complex, so tightly woven and dense in self-referentiality, that the people of the town it encompassed (and embraced, and contained) could not only never find their way out, they could never reliably find their way home either.

Over time they settled in new houses, made new families, found new friends, and formed new communities to replace the ones they had lost in the ever-branching complexity of this prison in which they lived.

The lords grew ever angrier at this resistance. They built the maze ever larger, wove it ever tight, progressed, they imagined, ever closer to their dreams of complete control.

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Notes:

1. Written on July 3rd, 2019

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Tale #79: Trail Of Breadcrumbs

We knew our way in, and we knew our way out. And we wanted so much to show everyone what we knew. To show them what we’d found, to show them everything we had. But telling would diminish it all. And asking, well, that would diminish us.

We waited and no one ever came. We left a trail of stones to mark the way, but no one ever thought to follow. We left a trail of breadcrumbs behind us, yet all we attracted were sparrows. We left a path of flowers, and they brought us nothing but bees.

So now instead we used coins we’d stolen from the machines by the pier. And we laid them down on our path as we walked out of town and down into the woods, our way twisting here and there between the trees and through the undergrowth, taking half-forgotten paths along river banks and across nearly-broken bridges, until our trail reached the hidden clearing we loved so much, and the forgotten lake where we always swam.

There we took off our clothes and stepped into the water and waited. Waited for whoever would follow their greed and come to us.

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Notes:

1. This was originally written in July 2014
2. As part of what became An Escape
3. But this version was written in January 2016
4. For use in the Maze
5. That I have mentioned before

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Tale #78: On Hansel And Gretel, And Horror

For me, perhaps for everyone, what I find to be the most dreadful part of Hansel and Gretel, the most horrifying bit, where it ultimately turns it into a tale of horror beyond compare, is the happy-ever-after ending.

There is an escalation of horrors throughout the story, of course – their mother’s death; the jealous malevolence of their stepmother; their abandonment in the woods; the pitcher-plant lure of the gingerbread house; the witch; the imprisonment; the slavery; the threatened (but never actualised) death by cannibalism.

But in a way this is all for show, a deft piece of misdirection, obscuring the real horror at the heart of the tale, the monster lurking at the edge of the screen as the credits roll, that final moment of dread as the screen goes black, that gnaws at you all night.

For here is our happy ending: the witch is dead, the stepmother is dead, and Hansel and Gretel return home to their father.

Their father, who took them to the woods and abandoned them, not once but twice.

Their father, who was perfectly willing to let them die, simply to appease his new wife.

Hansel and Gretel escape from the forest, and they escape the witch. But can there be any possible escape for them from their father. From his blankness, from his pliability, his disinterest and neglect. From his next, inevitable, betrayal.

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Notes:

1. Written in 2017 sometime
2. I remember starting it in January 2017
3. While ill
4. At the Eden Project
5. But I have no idea when I finished it

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Tale #77: The Wolf And The Girl

The wolf watched as the girl came near
And the wolf waited as the girl roamed far
And the wolf pounced when her parents came looking

The wolf ate, the girl ate
And away they went together
Blood red lips, teeth as sharp as lies

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Notes:

1. Written on November 3rd, 2016

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Tale #76: Of Wolves And Women

I heard the following tale from both my aunts when I was a child, a year or so apart.

I’m not sure if you’re supposed to think of your aunts this way, but I always did, when I was young – one of them was from within the family (my mother’s sister), the other from without (my dad’s brother’s wife). That one of them was a real aunt, the other merely playing one.

Nowadays, I’m not sure what to think.

Anyway, they both told this story slightly differently – different setting, different details, different phrases, different folksy claims of authenticity – but beyond that, they were the same tale, in all the ways that mattered.

The same body clothed in different clothes.

The story went like this.

A long time ago in a land far away (or, in the other telling, in the town where I grew up), there lived a princess (or a girl, just like you or me) in a castle (or a house). She had no brothers (nor any sisters) and her parents were too busy with the affairs of state (or, quite simply, too dead) to pay her any mind. So the girl/princess would wander the halls of her castle (or the streets of her town) all on her own, searching, always, for something, some sign, some proof that she was loved (or had been loved).

One day a woman came to see the princess at court (or, more simply, knocked on her front door) and said, “I’m your aunt, and I love you as if you were my one and only child.” And the woman stayed with her for the rest of the year, accompanying her on her walks, reading her stories before bed, helping her get dressed in the morning, and always, always, treating the lonely girl with love and tenderness and the utmost care.

On the princess’s 8th birthday (or the girl’s 9th), the aunt said, “I must return to the land where I live. Come with me, little girl, and leave this sadness (and loneliness) behind. Be free of your neglect, and stay by my side.”

And it was here that the tales diverged.

The tales ended very differently, and these were differences that were genuine rather than merely cosmetic. Not different hats so much as entirely different faces. A wolf revealed beneath the mirrored kindnesses of my aunts’ smiles.

In the first, the princess goes with her aunt. But when she arrives in the distant land her aunt called home, the aunt’s demeanour changed. “Obey me, now-child-of-mine, and do as I say. Serve me as a servant and a slave, from dawn until dusk, else I’ll eat you up for my dinner and that will be that.”

So the girl lived in fear, for the rest of her days. And no-one came to save her, for none knew where she had gone.

The moral of this tale as I perceived it then, whether or not that was what was intended: quit your whining, accept your place, for there’s a world out there worse than whatever you hate about home.

The second telling, the one I preferred, the orphan girl again goes with her aunt. She leaves behind her empty house, her lonely town, and walks with her aunt across the country.

Each time the girl feels discomfort, her aunt moves to help. The sun shines too brightly, so she gives the girl her wide-brimmed hat. At night it is too cold, so she gives the girl her coat. To stop the girl being pricked by thorns as they make their way through the woods, she gives the girl her gloves. When the girl loses her shoes in the mud of the brook, she gives the girl her boots.

Finally, the girl can walk no more and collapses to the ground. The aunt removes her clothes, takes off her mask, gets down on all fours, and leans over the girl, her jaw wide, her teeth sharp, her tongue as red as blood. And in her lupine voice, she says, “I’m not your aunt, I never was. I came to you because you were alone and unprotected.”

The mouth gets closer, opens wider. The girl waits for the snap of the jaw, the rasp of the tongue, the bite of the teeth, the pain that will surely come as she’s gobbled up and eaten whole.

But instead, the wolf says, ”I will carry you the rest of the way, my child.”

And with a deft flick of her head she flips the girl into the air and onto her back, and together they travel over the hills, into the woods, far, far away, living happily together ever after.

It was a fairy tale, after all.

The moral of this one: there is kindness in strangers, there is love out there if you will let yourself look.

After I heard this second telling, I wondered which of my aunts was the woman, which the wolf. Always, from then on, I’d be looking, checking, staring, hoping to see some slip of the mask, whether real or metaphorical, to catch the truth of the smile, see a glimpse of the real teeth beneath the false.

To see if their kindness masked cruelty, or if it hid an even deeper kindness, hid love without want, without need, without end.

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Notes:

1. Written in June 2018
2. There was a documentary about Angela Carter on BBC Two with the same title as this
3. Which was first shown in August 2018
4. My use of the same title is purely coincidental
5. But nicely serendipitous

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