Liars League

You Don’t Have To Read This, But I Hope You Do

Dear Sir,

I thought it best to contact you by mail, considering the events of this past week. You don’t have to read this, of course – I’m sure you are very busy, after all – but I hope that you do. Perhaps it will do you good to hear an explanation of events from a point of view other than your own.

After the events of the dance on Friday night – I’m sure I don’t have to explain that in detail – it seems a vital misunderstanding of the importance of our … tryst (shall we say) … has begun to blossom in your mind. Yes, I enjoyed myself very much – as I hope did you – but I thought a man in your position would have understood, as seemed clear to me, that this was simply an enjoyable dalliance rather than the precursor of something, indeed of anything, deeper, or more personally committing.

Now, it is possible this misunderstanding arose from the manner of my departure, which I admit was in haste, and taken without the necessary politenesses which such occasions surely warrant. So please forgive me for my sudden disappearance – although I should say that the hour was exceedingly late, and indeed not just you but most of your guests seemed slightly worse for wear by then. Even in my haste, I did still call out a ‘goodbye’ across the room to you, but it seems that my words did not rouse you sufficiently from your slumber for you to recognise it as my farewell.
It seems however, that my words did, indirectly, contribute to our misunderstandings this week, as apparently you were awakened enough by them to have subsequently watched my departure through the windows of your room, catching a glimpse of me fleeing through the front gates as if pursued, and I assume this is where your belief that I had been kidnapped, or was in some way being held in servitude, was formed.

In point of fact, I was simply hurrying to catch the final carriage of the evening, for it was a cold, wet, and very long walk home for me if I happened to miss it, and I was very much determined not to do so, not least because of the clothes I was wearing – I had not even brought a coat, nor boots, and the thought of my gown being ruined by a mile or more of walking through puddles and mud made me shiver in an anxiety probably unknown to those such as yourself, who have others to worry about such mundane matters as the washing of clothes.

Now, having laid out the facts of the evening in question, and having made clear that I accept some fault for the misunderstanding that has, evidently, occurred, I would like to turn to your behaviour in the week since.

It is of course very flattering to discover that you enjoyed the evident delights of my company so much that you’ve since been searching the city to find me – or ‘save me’, as you have reportedly been putting it – but that does not give you the right to barge uninvited into my home, insult my mother, accost my sisters, and accuse all and sundry of god knows what crimes and misdemeanours against me (‘an innocent’, as you kindly put it, although innocent of what I do not know).

My mother has been in tears ever since, and is simply inconsolable. To have someone of your power and standing insult her so brazenly, and with so little foundation, was deeply upsetting for a woman of her years (and long-avowed patriotism), and was, I believe, genuinely shocking to her on a spiritual level. If even half the things she alleges you said to her are true, then, well, I too am truly lost for words.

At least, if I am to search for small mercies, with my mother you were merely verbally abusive. Yet in your overzealous attempts to save me from my own family, you inflicted, beyond the spiteful insults towards their appearances, such grievous injuries on my two sisters that I fear it will be months before they can walk again. I have never seen wounds of such severity inflicted outside of a war, and even with months of rest I am not sure their feet will ever fully heal.

I am truly sorry I was not here when you called, as perhaps all this upset could have been avoided, although, in my darkest hours, I fear that, in fact, it would have been much worse. As it was, I happened to be working when you arrived – which is what you no doubt consider my servitude, but to the rest of us is known simply as employment.

Of course now, not only do I have to continue to support myself and my mother on my meagre earnings, but my two crippled sisters, too.

So it seems, even if after all this I somehow decided to consent to attend another one of your parties, there is much less chance of my being able to find the time to attend. I suppose I should consider that at least an amusing irony of the whole affair, and one which presumably would have made me laugh if not for the horror and harm inflicted upon those I love in service of it.

Thank you for the return of my shoe.

Please do not call at my house again.

Kind Regards

Cindi

___________

Notes:

1. Written on October 13th, 2019
2. This was previously posted here as Tale #102
3. But is now being reposted (with some slight editing differences I expect)
4. Due to it being performed at a Liars’ League event
5. On 14th February, 2021
6. Where it was performed wonderfully by Martine McMenemy
7. Whose reading I enjoyed very much

__________

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Thank you!

You Don’t Have To Watch This, But I Hope You Do

One of my stories, You Don’t Have To Read This, But I Hope You Do, has been chosen to appear in this weekend’s Liars’ League live literature event, Together And Apart. It’s being performed by Martine McMenemy, and can be watched live, along with four other stories, this weekend on their facebook channel, on Sunday 14th February, from 7pm.

If you join that group you should get sent an invite to the live show when it’s about to begin, hopefully.

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Notes:

1. This is the second of my stories to be read at a Liars’ League event.
2. The first one was The Reading, or Performance Anxiety, in November 2016
3. Where it was read wonderfully by Peter Kenny

__________

Support An Accumulation Of Things

If you like the things you've read here please consider subscribing to my patreon or my ko-fi.

Patreon subscribers get not just early access to content and also the occasional gift, but also my eternal gratitude. Which I'm not sure is very useful, but is certainly very real.

(Ko-fi contributors probably only get the gratitude I'm afraid, but please get in touch if you want more).

Thank you!

Tale #102: You Don’t Have To Read This, But I Hope You Do

Dear Sir,

I thought it best to contact you by mail, considering the events of this past week. You don’t have to read this, of course – I’m sure you are very busy, after all – but I hope that you do. Perhaps it will do you good to hear an explanation of events from another point of view.

After the events of Friday night – I’m sure I don’t have to explain that in detail – it seems a vital misunderstanding of the importance of our… tryst (shall we say)… has begun to blossom in your mind. Yes, I enjoyed myself very much – as I hope did you – but I thought a man in your position would have understood, as seemed clear to me, that this was simply an enjoyable dalliance rather than the precursor of something, indeed of anything, deeper, or more personally committing.

Now, it is possible this misunderstanding arose from the manner of my departure, which I admit was in haste, and taken without the necessary politenesses which such occasions surely warrant. So please forgive me for my sudden disappearance – although I should say that the hour was exceedingly late by then, and indeed not just you but most of your guests seemed slightly worse for wear by then. Indeed, even in my haste, I did still call out a ‘goodbye’ across the room to you, but it seems that my words did not rouse you suitably from your slumber for you to recognise it as my farewell.

It seems however, that my words did, indirectly, contribute to our misunderstandings this week, as apparently you were awakened enough by them to have subsequently watched my departure through the windows of your room, catching a glimpse of me fleeing through the front gates as if pursued, and I assume this is where your belief that I had been kidnapped, or was somehow being held in servitude, was formed.

In point of fact, I was simply hurrying to catch the final carriage of the evening, for it was a cold, wet, and very long walk home for me if I endeavoured to miss it, and I was very determined not to, not least because of the clothes I was wearing – I had not even brought a coat, nor boots, and the thought of my gown being ruined by a mile or more of walking through puddles and mud made me shiver in an anxiety probably unknown to those such as yourself, who have others to worry about such mundane matters as the washing of clothes.

Now, having laid out the facts of the evening in question, and having made clear that I accept some fault for the misunderstanding that has, evidently, occurred, I would like to turn to your behaviour in the week since.

It is of course very flattering to discover that you enjoyed the evident delights of my company so much that you’ve since been searching the city to find me – or ‘save me’, as you have reportedly been putting it – but that does not give you the right to barge uninvited into my home, insult my mother, accost my sisters, and accuse all and sundry of god knows what crimes and misdemeanours against me (‘an innocent’, as you kindly put it, although innocent of what I do not know).

My mother has been in tears ever since, and is simply inconsolable. To have someone of your power and standing insult her so brazenly, and with so little foundation, was deeply upsetting for a woman of her years (and long-avowed patriotism), and was, I believe, genuinely shocking to her on a spiritual level. If even half the things she alleges you said to her are true, then, well, I too am truly lost for words.

At least, if I am to search for small mercies, with my mother you were merely verbally abusive. Yet in your overzealous attempts to save me from my own family, you inflicted, beyond the spiteful insults towards their appearances, such grievous injuries on my two sisters that I fear it will be months before they can walk again. I have never seen injuries of such severity inflicted outside of a war, and even with months of rest I am not sure they will ever fully heal.

I am truly sorry I was not here when you called, as perhaps all this upset could have been avoided, although, in my darkest hours, I fear that in fact it would have been much worse. As it was, I happened to be working when you arrived – which is what you no doubt consider my servitude, but to the rest of us is known simply as employment. Now, not only do I have to continue to support myself and my mother on my meagre earnings, but my two crippled sisters, too.

So it seems, even if after all this I somehow decided to consent to attend another one of your parties, there is much less chance of me being able to find the time to attend. I suppose I should consider that at least an amusing irony of the whole affair, and one which presumably would have made me laugh if not for the horror and harm inflicted upon those I love in service of it.

Thank you for the return of my shoe. Please do not call at my house again.

Kind Regards

Cindi

__________

Notes:

1. Written on October 13th, 2019
2. I wrote another Cinderella tale before
3. Almost a hundred tales ago now
4. This was performed at the Liars’ League, in February 2021
5. Read beautifully by Martine McMenemy

__________

Support An Accumulation Of Things

If you like the things you've read here please consider subscribing to my patreon or my ko-fi.

Patreon subscribers get not just early access to content and also the occasional gift, but also my eternal gratitude. Which I'm not sure is very useful, but is certainly very real.

(Ko-fi contributors probably only get the gratitude I'm afraid, but please get in touch if you want more).

Thank you!

The Reading, or Performance Anxiety

Yeah, I’ve never done this before. I‘m fucking terrified. I was terrified before, for weeks, and I was terrified earlier, out the back, waiting, trying to relax. And I’m terrified now, standing here on stage behind this mike. Holding on to this lectern as tightly as I can for courage and trying not to look any of you in the eye. In case I see your disgust, your anger. Your boredom. Or possibly worse, your delight and amusement. So I’m going to concentrate as intently on my notes as I can, pick them up, and start to read.

“Yeah, I’ve never done this before,” I read out loud, word for word from the page. “So, um, sorry. If it’s, you know…” I give you an amiable shrug — at least I hope it’s amiable — and then finish my sentence… “if it’s a bit shit.”

A couple of you laugh. Not many, and not for long. The audience equivalent of a polite smile.

“So anyway,” I say, “I hope this is okay.” A slight pause before the next line. “I’ve been dreading this all week.” And I try to say that, I mean to say that, with a laugh, but at best I manage a sort of forced unnatural looking smile.

Do I tell you, I’m wondering, when I’m practicing this at home, how at first, even in an empty room, I can’t speak. That I’m so self-conscious I can’t even overcome the horror of public speaking in private, to no-one. And not just on the first day of practicing this performance, but every day. Every time.

But I decide it’s probably best not to say a word of that to you. It’d sound needy, pleading. So I go back instead to hoped-for charm of admitted first-time incompetence instead.

“This is…” I start, looking down at my script, flicking through the pages nervously before putting it back down. I start again: “Sorry, I should have said thank you all for coming. And I hope the book’s not a disappointment. Well, I hope tonight’s not a disappointment either, as you’ve all made the effort to come down here and everything. But especially the book…”

Is this silence that follows as uncomfortable for you as it is for me? Is my voice as inflectionless, as emotionless, as I always fear? Does it sound as awful to you as it always sounds to me when I hear a snippet of it on tape, in the background of some video I’ve recorded on my phone? Or in my dreams.

I read some advice somewhere about how it’s best to never, ever, think about the sound of your voice, not when you’re speaking, when you’re giving a speech, but I’ve started now and how to stop? It’s like being told at the dentist or wherever not to swallow — you’re told not to swallow and you think okay, I won’t swallow, and then, only then, do you realise how desperate you are to swallow, how you’ll choke if you don’t, and you can feel your tongue absolutely huge in your month and if you don’t swallow you’ll fucking choke you’ll choke on your own tongue you’ll forget how to breathe you’ll fucking die.

I’m trying not to think of the true sound of my own voice and yet I have to speak. I have to just close my mind to it and carry on and read.

So I go back to my notes. I read. I speak.

“This first story — it’s not the first one in the book but it’s the first one tonight — it’s called The Reading, or Performance Anxiety.”

I’ve printed these stories out quite big, so the letters are nice and distinct and the lines are all clearly separated and everything’s nice and easy to read, but now this massive font I’ve used gives all my words the appearance of a children’s story, some sort of Ladybird learn to read book. Or the eyesight test lettering in the opticians.

Actually I think they probably most closely resemble the look of a note in a film, with everything printed in big sparse letters and held in shot long enough so even the slowest readers in the audience can read them. Now I’ve seen this similarity I can’t stop seeing it, and it gives my words a weird and unwanted sense of unreality and artifice, undermining everything I’ve written.

And without belief in what you’ve written your words are nothing.

But finally now I’m on to the story, past all my introductory messages and the title and onto what you’ve come for. Onto what you’ve paid for. I discard the first page, place it neatly to the left, and find my place at the top of the second page. And finally now move onto the first story.

“The Reading, Or Performance Anxiety,” I read out, word for word from the page. “Yeah, I’ve never done this before. I’m fucking terrified.”

It all sounds so hollow, limp and dead on my tongue, disconnected from any real feeling. Not just from feeling but disconnected from each other as well, as if they weren’t even sentences, but instead a collection of unconnected words in a line, and now, as I say them, everything begins to fall apart.

“I was terrified before. For weeks. And I — sorry — I was terrified… I was terrified earlier. Out the back. Waiting. To relax. Wait — I was waiting, I was trying to relax. I…”

I turn the page and during this tiny pause someone shouts ou-

—GET ON WITH IT!

Er, yeah, thanks, like that. Exactly like that.

So I say, “Yes,” back to them. I say, “Sorry.”

But now when I look back at the page I can’t even read the words. My heart’s pounding like I’m afraid I’m about to get hit. I can feel the tears at the edges of my eyes. Not quite tears actually, not yet, but that hot feeling across my face and that… that pricking sensation you get when you can tell that they’re just about to form, when you know that you might still be able to hold them back but once they start they’ll just flow and flow.

That shout, that one single shout.

It feels like being told off at school, never wanting to admit it hurts but it hurts. Being shouted at, being mocked, bullied, abused. And the years of hardening yourself to it, hardening your face so it’s a case of studied blankness even though inside you’re in fucking turmoil.

Please let me still have that control.

“I’m. I’m…” I stammer. “And I’m terrified now, standing here on this stage — ”

— WELL GET THE FUCK OFF IT THEN!

You all laugh. I can hear it and I can see it and you don’t even stop even though I’m looking at you, pleading with you with my eyes, my face, my slumped shoulders, to just

not

laugh

— YOU’RE FUCKING SHIT AT THIS YOU KNOW!

“I’m sorry you think that,” is my, well, my rather lame reply. I’m defeated and I know it, but I try to hold it off, if only for a second. “Sorry, the lights — I can’t see anything — who am I talking to here?”

— EVERYONE!

You laugh and you laugh. The whole room full of you laughing, at him, at his words. And at me, and mine.

“Can you just… Look, can’t you just let me finish. Look, I’m sorry, sorry everyone, maybe it’ll be better if I start again.”

I turn the page back.

“The Reading,” I repeat. “Or, Performance Anxiety.”

I see him getting up, the heckler, out of the corner of my eye. Hopefully he’s leaving and we can all get on with this.

Get through this.

“Yeah, I’ve never done this before. I’m fucking terrified. I was terrified before, for weeks, and I was terrified earlier — ”

— Give that here.

A hand – that hand, there, this hand, his hand – reaches over the lectern and grabs at my papers.

— I bet I can do this better than you anyway. I could hardly be worse, could I?

He laughs. You all laugh.

I look up. There’s a spotlight — that one there — that’s shining directly into my eyes and I can only see this person, this heckler, this intruder, I can only see him as a shadow. The audience, I can’t see the audience anymore, I can’t see them at all. It’s only you now, whoever you are, you. A silhouette, a suggestion — you’re everyone and no-one, you’re looming aggression and dominance and contempt and

I shove him out of the way, two-handed in the chest and he stumbles backwards and, in his surprise, trips. People behind me cheer and I take his place on the stage, turn my back on him and turn round to the room and look at all of you here in the audience. I can see the relief on your faces. The anticipation, the strange vicarious joy.

I begin to flick through the pages of his story, discarding them one by one, passing through the words you’ve already heard and the things you’ve already seen, until on the fourth page I find my place, find the here and now.

I begin to read.

“He sits there at the back of the stage for a moment, too dazed to stand, and listens to me speak. I read his words, shout them out confidently as if they were my own. And I speak them with a clarity, with a conviction, that he could never match. As if the words are mine, now. As if they have always been mine, always will be mine.

“He can’t bear to watch, can’t bear to watch me, my performance, my… usurpation, and he crawls behind the curtains, gets up and stumbles his way down the passages to try and escape. To get away. Away from the stage. Away from all of us. Away from his embarrassment. His failures.

“He opens the fire escape and there’s a sudden rush of silence as the freezing cold air hits his face and he imagines me stopping, triumphant, as I reach the end of his story. He pictures me bowing slightly, taking his applause, the pages of his words littering the stage around my feet. I step around the podium and I hold my arms wide and I bow again and smile and wave and your ovation grows and grows and then finally begins to subside.

“And now his tears flow.”

__________

Notes:

1. Written on March 19, 2016
2. This was performed at a liars league event in London on November 8th, 2016.
3. Where it was performed by the wonderful Peter Kenny, as can be seen below:

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Support An Accumulation Of Things

If you like the things you've read here please consider subscribing to my patreon or my ko-fi.

Patreon subscribers get not just early access to content and also the occasional gift, but also my eternal gratitude. Which I'm not sure is very useful, but is certainly very real.

(Ko-fi contributors probably only get the gratitude I'm afraid, but please get in touch if you want more).

Thank you!